“We Rarely Get the Disaster We Expect”

I disagree with the reviewer quoted below on much that is in his review. I have chosen to quote passages that emphasize what I think is interesting and promising in the book.

If Ferguson is right that “we rarely get the disaster we expect,” then we might be better off growing our general capabilities, rather than invest huge taxpayer funds in preparing for the wrong specific disaster. The best way to grow our general capabilities is to defend an economic system of innovative dynamism.

(p. 16) Niall Ferguson is, in many ways, a historian of the old school. He was trained in the history of business and finance, but over the past two decades his interests have broadened.

. . .

Ferguson’s latest book, “Doom: The Politics of Catastrophe,” . . . [seems] to wave away concerns about climate change . . . in favor of extended speculation about “Black Swan” and “Dragon King” events that defy efforts at prediction? His bewildering answer is that “we rarely get the disaster we expect, but some other threat most of us are currently ignoring.”

. . .

“Doom” is often insightful, productively provocative and downright brilliant.

For the full review, see:

Damon Linker. “Catastrophe Is Coming.” The New York Times Book Review (Sunday, May 16, 2021 [sic]): 16.

(Note: ellipses added.)

(Note: the online version of the review has the date May 4, 2021 [sic], and has the title “Niall Ferguson Examines Disasters of the Past and Disasters Still to Come.”)

The book under review is:

Ferguson, Niall. Doom: The Politics of Catastrophe. New York: Penguin Press, 2021.

Palestinian Group Defaces Portrait of Balfour, Who Tried to Save Jewish Lives

Pro-Palestinian slashes portrait of Arthur James Balfour at University of Cambridge. Source: NYT article quoted and cited below.

The Balfour Declaration of 1917 advocated the establishment of a Jewish homeland (Dershowitz 2003, p. 35). “In 1937, 1947, and 2000-2001,” Jewish leaders accepted the establishment of a Palestinian state, but Palestinian leaders “each time . . . rejected the offer and responded with increased terrorism” (Dershowitz 2003, p. 159). If Israel had existed by the 1930s, “hundreds of thousands—perhaps even a million or more” European Jews could have immigrated to it before the Holocaust, saving their lives (Dershowitz 2003, p. 52). Arthur James Balfour’s portrait should be honored, not “slashed and spray-painted” (article quoted below).

(p. A6) A pro-Palestinian group slashed and spray-painted a century-old portrait of Arthur James Balfour at the University of Cambridge on Friday [March 8, 2024], defacing a painting of the British official whose pledge of support in 1917 for “the establishment in Palestine of a national home for the Jewish people” helped pave the way to Israel’s founding three decades later.

For the full story, see:

Marc Tracy. “Balfour Portrait at University of Cambridge Is Defaced.” The New York Times (Saturday, March 9, 2024): A6.

(Note: bracketed date added.)

(Note: the online version of the story has the date March 8, 2024, and has the title “Activists Deface Portrait of Balfour, Who Supported Jewish Homeland.”)

Dershowitz’s heavily referenced book, cited above, is:

Dershowitz, Alan. The Case for Israel. Hoboken, NJ: John Wiley & Sons, Inc., 2003.

King George III and George Washington Both Admired Cato, Defender of the Roman Republic

(p. C7) George III (1738-1820) enjoyed one of the longest reigns in British history, but he is known mostly for his turbulent early years as king and the loss of Britain’s American colonies. Thomas Paine called him “a wicked tyrannical brute”; Thomas Jefferson, in the Declaration of Independence, said his character was “marked by every act which may define a tyrant.” As if such charges weren’t enough, George III suffered in his later years from bouts of mental illness that eventually curtailed his reign.

In “The Last King of America,” Andrew Roberts sets out to reclaim George III by drawing a portrait of the man in full and recalibrating modern judgments, not least the judgments of Americans who may share Jefferson’s view. Far from a tyrant, Mr. Roberts argues, George III dutifully supported Britain’s parliamentary constitution of limited monarchy.

. . .

. . . in 1751, . . . the shy, introverted teenager next in line to the throne aimed to be a patriot king.

What did that mean? One gauge, Mr. Roberts observes, is a prologue (written by his father) that George declaimed as a 10-year-old at a performance of “Cato,” a play by Joseph Addison dramatizing the life of the Roman republican. The prologue expressed a pride in England and a love of liberty. (Ironically, “Cato,” performed at Valley Forge, was George Washington’s favorite play.) And indeed, George III later upheld the parliamentary supremacy established by the Glorious Revolution of 1688. No monarch, he believed, could rule justly without the consent of his realm.

Had British statesmen possessed the diplomatic acumen of Franklin and Washington, Mr. Roberts argues, a way through the impasse in North America might have been found. Many colonists had hoped that George III would take their side against Parliament. The king himself spoke of “fighting the battle of the legislature.” Instead, the British establishment—the king included—determined to crush what they viewed as a conspiracy of the colonial elite.

For the full review, see:

William Anthony Hay. “The Method & the Madness.” The Wall Street Journal (Saturday, Oct. 30, 2021 [sic]): C7.

(Note: ellipses added.)

(Note: the online version of the review was updated Oct. 29, 2021 [sic], and has the title “‘The Last King of America’ Review: The Method and the Madness.”)

The book under review above is:

Roberts, Andrew. The Last King of America: The Misunderstood Reign of George III. London: Viking, 2021.

A Miraculous Machine in the Middle-Ages That Did Nothing to Improve the Lives of the Masses

Before the industrial revolution clever inventors sometimes devised elaborate and amazing machines. The Antikythera mechanism is a famous example. Though these machines amaze us, they usually did little to improve the lives of those who lived at the time of invention. Why? Maybe the answer is that just before the industrial revolution, entrepreneurs were encouraged and enabled (through property rights and patents) to apply amazing inventions to the betterment of the people.

(p. C9) What kind of a book do we have in “Miracles and Machines: A Sixteenth-Century Automaton and Its Legend”?

. . .

The authors call the book a “clockwork”; its many disparate parts are joined in scrupulous devotion to a 16th-century automaton—an object, they write, which is at once “a sculpture, a machine, an icon, and a messenger.”

The figure is of a Franciscan friar, about 16 inches tall, carved out of wood, cloaked in a modern replica of the garb he once wore. His 5-pound weight is due to an intricate iron mechanism that fits inside his wooden body; it is wound with a key.

. . .

Imagine, Ms. King and Mr. Todd suggest, what it would have been like to see this automaton at the time of its creation. He is placed upon a candlelit table. His feet take steps under his tunic—but he actually glides on three wheels, making his movement seem ethereal. He is deliberately slow. This is not a mechanism meant to thrill us with speed and virtuosity. His movements are graceful, solemn.

As he moves, the friar raises and lowers a cross in his left hand and strikes his chest with his right, as if declaring “mea culpa.” He also lifts the cross to his lips and fixes his gaze steadily, perhaps at an observer at the opposite end of the table. He looks down at the cross, up at the observer, and begins to turn: “You let out half a breath,” the authors tell us, “but as his full body pivots on the table, feet in motion, head forward, his eyes slide left in their sockets to stay fixed on you!” Then he changes direction, staring at what might be another observer. There is no doubt about his seriousness; the impact on believers, in the half-light, would have been considerable.

. . .

In seeking to learn more about the friar’s provenance, Ms. King contacted Servus Gieben, a Dutch-born Franciscan who served as the director of the Franciscan Museum in Rome. In his correspondence with Ms. King, Gieben, who died in 2014, reaffirmed his theory that it may have been commissioned by Philip for his son Carlos. In 1562, at the age of 17, Carlos fell down a flight of stairs and so gravely injured his skull that he was not expected to survive (either the injury or the era’s “treatments”).

. . . The corpse of a Franciscan friar, Diego de Alcalá (ca. 1400-63), had remained free of decay after his death that it was thought to have healing powers. And behold: Once it was laid upon the dying prince, Carlos soon began to recover. Philip II spent 26 years petitioning four consecutive popes to recognize the miracle and declare Diego a saint. (He ultimately was, as the city of San Diego now affirms.)

Gieben suggested that the facial resemblance between the automaton and Diego was evident. And what better way, he thought, for Philip to honor Diego than by providing his often wayward son with an admonitory reminder in the form of the penitential friar himself, created by the most brilliant clockmaker in the empire. As Don Carlos was brought back to life, so an inanimate automaton would turn animate.

Even today, the authors suggest, the friar remains “a small miracle. Or the image of a small miracle. Or the metaphor of a large miracle. Or an artificial miracle.”

For the full review see:

Edward Rothstein. “A Wonder of Another Age.” The Wall Street Journal (Saturday, December 23, 2023): C9.

(Note: ellipses added.)

(Note: the online version of the review has the date December 22, 2023, and has the title “‘Miracles and Machines’ Review: Mystery of the Clockwork Man.”)

The book under review is:

King, Elizabeth, and W. David Todd. Miracles and Machines: A Sixteenth-Century Automaton and Its Legend. Los Angeles: Getty Publications, 2023.

Indigenous North-American Indians Were Not Peaceful

Critics of America, suggest that the founding occurred by stealing land from peaceful Indians. But as suggested in the book reviewed below, pre-European Indians fought wars against each other. To the extent that Indians chose, or were allowed to choose, to live under non-violent European rule-of-law, they could flourish.

(p. 17) In THE CUTTING-OFF WAY: Indigenous Warfare in Eastern North America, 1500-1800 (University of North Carolina Press, 287 pp., paperback, $29.95), Wayne E. Lee argues that the fluid, Native American style of war was quite alien to the European soldiers who encountered it. Tribes like the Tuscarora and the Cherokee avoided battles and conventional sieges, instead carrying out what Lee calls “conquest by harassment” — dispersed campaigns of ambushes and raids, which could be sustained for years.

. . .

The aims of their wars were also different, argues Lee, a professor of early modern military history at the University of North Carolina at Chapel Hill. We tend to think of wars as being fought to conquer people, control them and occupy their land. But Native Americans often waged war not to settle territory but to clear it. Specifically, they aimed to push other tribes out of choice hunting grounds and hold exclusive access to them.

For the full review see:

Thomas E. Ricks. “War Stories / Military History.” The New York Times Book Review (Sunday, Jan. 21, 2024): 17.

(Note: ellipsis added.)

(Note: the online version of the review has the date Dec. [sic] 4, 2023, and has the title “How Different Peoples Around the World Fought and Built Empires.”)

The book under review is:

Lee, Wayne E. The Cutting-Off Way: Indigenous Warfare in Eastern North America, 1500–1800. Chapel Hill, NC: The University of North Carolina Press, 2023.

Nazis Allowed Charitable Feeding of Enslaved Camp Inmates, to Increase Their Productivity

(p. A13) The remarkable story of Janina Mehlberg almost didn’t see the light of day. A Holocaust survivor and a mathematics professor in Chicago, Mehlberg stood out for making her way in an academic field dominated by men. But while teaching her students and giving conference papers, she was privately writing an account of her life’s most remarkable episode: her daring impersonation of a Polish aristocrat in World War II, a deception that allowed her to aid Poles who had been imprisoned by the Nazis.

. . .

The Majdanek camp held Polish prisoners forced into slave labor, Russian prisoners of war, and Jews who would be murdered either by being shot at close range or poisoned by gas.  . . .  As “the Countess,” Mehlberg served as the head of the Polish Main Welfare Council, visiting the camp regularly. The haughty, demanding countess negotiated ways to bring soup, bread, medicine—and hope—to a great many Polish prisoners. Betraying little emotion, this hidden Jew became a sort of patron saint by appearing again and again to witness their suffering and alleviate it as best she could. “Janina’s story is unique,” the authors assert. “She was a Jew who rescued non-Jews in the midst of the largest murder operation of the Holocaust.”

“The Counterfeit Countess,” too, is unsentimental. The writing is matter of fact; the authors include data about the numbers of meals served, the details of negotiations with Nazi officers, the changes in camp conditions as the war unfolded. Mehlberg recognized that the Germans were making trade-offs within their sick paradigm of racial superiority. Would it be more efficient to murder Poles or starve them while they worked? She persuaded Nazi higher-ups to let her organization provide thousands of tons of food to prisoners so that they could do the work that would feed the Nazi war machine. German commanders decided it served their interests to allow “the Countess” to continue providing food and medicine to enslaved workers.

For the full review see:

Michael S. Roth. “BOOKSHELF; Fake Title, Real Courage.” The Wall Street Journal (Thursday, Jan. 25, 2023): A13.

(Note: ellipses added.)

(Note: the online version of the review has the date January 24, 2023, and has the title “BOOKSHELF; ‘The Counterfeit Countess’ Review: Fake Title, Real Courage.”)

The book under review is:

White, Elizabeth B., and Joanna Sliwa. The Counterfeit Countess: The Jewish Woman Who Rescued Thousands of Poles During the Holocaust. New York: Simon & Schuster, 2024.

“We Don’t Talk Anymore About Freedom”

(p. 25) “Gorbachev will pay for his sins! I can’t stand the sight of his pig’s mug!” On a winter day early in 2001, Grigori Romanov, once the party boss of Leningrad and an odds-on favorite to take over the Kremlin, stood on a Moscow sidewalk ranting to me, a Moscow correspondent for Time magazine, about Mikhail Gorbachev.

In the spring of 1985, Romanov had famously lost his shot at the government’s top post to the prematurely balding apparatchik from Russia’s south. It was Gorbachev — “a peasant who had no right coming to the big city,” Romanov all but shouted at me — who “started this disaster.”

. . .

. . . it’s only fitting that in “The Picnic,” Matthew Longo, an American political scientist who teaches in the Netherlands, revisits in captivating detail the actions of ordinary people during that heady summer of 1989, when the Iron Curtain cracked and a magical word — “freedom” — swept across the Eastern bloc. Within two years, the Soviet empire was over.

. . .

Longo sets himself a tight focus: the “Pan-European Picnic,” a stunt of political theater — organized by “budding” oppositionists (including the future prime minister of Hungary Viktor Orban, then a 26-year-old “with wild black hair and fire in his eyes”) and encouraged by a few reform-minded Communist higher-ups — that turned into political action. The picnic, a “giant, open-air party” convened on Aug. 19, 1989, and attended by hundreds, surprised all by forcing open the barbed-wire border between Austria and Hungary.

Blending oral history and political theory (including cameos by Plato and Isaiah Berlin), Longo recounts the drama in a vivid, fast-paced narrative.  . . .  . . ., Longo’s argument rings clear: “Sometimes the most important moments in history are forged by ordinary people.”

For Longo, the picnic was a revolutionary moment, bringing not only euphoria but an estimated 600 East Germans (in Hungary on “vacation”) across the border. “The scene was utter chaos,” Longo writes. “East Germans celebrating on the other side of the line; Hungarian officers in heated conversations; Austrians walking into Hungary, Hungarians crossing into Austria.” Three months later, the Berlin Wall fell. And in August 1991 — on the second anniversary of the picnic — a crew of revanchist putschists failed miserably in Moscow, speeding the demise of the Soviet Union.

. . .

“We don’t talk anymore about freedom like we did in 1989,” Longo writes, “freedom for collectivities, continents even; freedom for people fleeing oppression, wherever it is they were coming from.” He is right.

. . .

“All nations should have the opportunity for freedom,” Gorbachev said in one of his final interviews. This may sound like wishful thinking. But it happened to be the foolhardy belief that animated the ordinary heroes of Longo’s tale, both those who acted (politicians and civilians) and, just as vitally, those who did not (border guards and party lifers, who owed all they had ever known to the status quo), as well as, not least, the “peasant” who rose to the Kremlin.

For the full review, see:

Andrew Meier. “Bringing Down the Curtain.” The New York Times Book Review (Sunday, November 19, 2023): 25.

(Note: ellipses added.)

(Note: the online version of the review has the date Nov. 5, 2023, and has the title “The ‘Picnic’ That Brought Down the Iron Curtain.”)

The book under review is:

Longo, Matthew. The Picnic: A Dream of Freedom and the Collapse of the Iron Curtain. New York: W. W. Norton & Company, 2023.

Most Israelis Will Have No Place to Go If Israel is Destroyed

The video clip above is embedded through YouTube’s “share” feature. It is a clip of the EconTalk episode posted on Mon., Dec. 18, 2023. Host Russell Roberts interviews Haviv Rettig Gur on “An Extraordinary Introduction to the Birth of Israel and the Arab-Israeli Conflict.”

As the title claims, the interview really is “extraordinary.” I realize now that when I have thought about Israelis, I have always thought about the Israelis I have known–the ones I have run into at universities in the United States. Haviv showed me that these are the exceptions, that the vast majority of Israelis have no place to go if Hamas succeeds at destroying Israel. I bet the attitudes of many Americans toward what happened on October 7 would be different if they understood this, so I hope this interview is widely viewed.

In Xi’s Communist China: “Our Speech Is Not Free”

(p. B1) Many innocent lives were lost to tragic events in China in the past month. So far we haven’t learned a single name of any of them from China’s government or its official media. Nor have we seen news interviews of family members talking about their loved ones.

Those victims would include a coach and 10 members of a middle-school girls volleyball team who were killed in late July when the roof caved in on a gymnasium near the Siberian border. Despite an outpouring of public grief and anger around the country, the government never released their names. Social media posts sharing their names and tributes to their lives were censored.

Then there were the people — probably dozens, possibly hundreds — who died in severe flooding in northern and northeastern China in recent weeks. It was the most serious flooding in the country in decades. Posts about the casualties, and the hardships people endured, were censored.

. . .

(p. B4) “Xi Jinping has made control of history one of his signature policies — because he sees counter-history as an existential threat,” Ian Johnson, an author who has covered China for decades, wrote in his new book, “Sparks: China’s Underground Historians and their Battle for the Future.”

Mr. Xi has turned the screws extra tight since the Covid pandemic. In April 2020, relatives of Wuhan residents who died were followed by minders when they picked up the ashes of their loved ones.

The government ignored a citizen demand to make Feb. 6 a nationwide day of mourning to mark the death of Dr. Li Wenliang, the whistle-blower who had warned the public of the coronavirus.

“We have always known that our speech is not free, our voice is not free. Yet we do not realize until today that even sorrow and mourning do not belong to us,” Ms. Zhang, the independent journalist, wrote in an article that was widely circulated on WeChat and other social media platforms before it was censored.

A recent video of the bereaved father of a volleyball player killed in the gymnasium collapse in Qiqihar highlighted the cruel reality faced by family members in public tragedies: Their grief, in the eyes of the government, makes them potential threats to social stability.

In the six-minute video, the father remained preternaturally composed as he tried to reason with the police, doctors and government officials at a hospital. He and other family members wanted to be allowed to identify the bodies of their daughters.

The father said he understood why the police were at the hospital. “We didn’t cause any troubles,” he said. He said he understood why no officials bothered to talk to them. “That’s fine,” he said.

Many people said online and in interviews that they cried watching the video because they recognized his “heart-wrenching restraint” and knew why he behaved that way.

“What happens if he didn’t hold back his anger?” asked an author in an article posted on social media. “As a father who has suffered such immense pain, why did he have to reason with such restraint and humility?”

As usual, the censorship machine went into high gear. Social media posts containing names of the victims and celebrating their lives and friendships were deleted. So were photos and videos showing the entrance of their school, where the public sent numerous flower bouquets, yogurt, milk tea and canned peaches, which is a comfort food for children in northeastern China.

For the full story, see:

Li Yuan. “When Tragedy Strikes in China, The Government Represses Grief.” The New York Times (Monday, August 3, 2023): B1 & B4.

(Note: ellipsis added.)

(Note: the online version of the story also has the date Aug. 14, 2023, and has the title “When Tragedy Strikes in China, the Government Cracks Down on Grief.”)

Progressives Now Argue that F.D.R.’s Liberal New Deal “Rested on a Jim Crow Foundation”

(p. C1) In October 1935, President Franklin D. Roosevelt had his administration send letters to thousands of clergy across the country, asking if the New Deal was helping their communities.

Even from admirers, the news wasn’t always good. Local administrators did not “carry out your will and purpose,” J.H. Ellis, a Black pastor in Hot Springs, Ark., wrote, “especially as it relates to the Negro group.” J.W. Hairston, an African American minister in Asheville, N.C., lamented that in the South “there are two states and two cities, one white — one black.”

The Northern Black press, meanwhile, was more blunt. The New Deal, more than one newspaper proclaimed, was also a “Raw Deal.”

Eight decades later, that charge still hangs in the air. Conservatives have long assailed the New Deal, which radically expanded the government’s involvement in the economy, as the epitome of big-government overreach. But in recent years, progressives have increasingly argued that this pillar of 20th-century liberalism rested on a Jim Crow foundation, and laid the groundwork for the yawning Black wealth gap that persists today.

Now, the Franklin D. Roosevelt Presidential Library and Museum in Hyde Park, N.Y., is entering the fray. “Black Americans, Civil Rights and the Roosevelts, 1932-1962,” on view through December 2024, takes a frank, deeply researched view of what it calls Franklin and Eleanor Roosevelt’s “mixed” record on race, from their personal attitudes to the policies they championed.

. . .

(p. C3) . . . , the title of the opening wall text makes the central question plain: “A New Deal for All Americans?”

While a mainstay of scholarship for decades, that question has recently reached a broader public, thanks to books like Ira Katznelson’s “When Affirmative Action Was White” and Richard Rothstein’s “The Color of Law: A Forgotten History of How Our Government Segregated America.”

On a recent afternoon, a docent directed visitors toward what she called “the most amazing thing” — a 1937 Home Owners Loan Corporation map of the nearby city of Poughkeepsie, labeling predominantly Black areas as “hazardous” for lenders.

In 1935, the newly created Federal Housing Administration issued a manual for lenders, endorsing redlining (so named for the pink shading of “hazardous” areas) and warning that Black families should not be approved for mortgages in white areas. “Incompatible racial groups,” it noted, “should not be permitted to live in the same communities.”

Housing policy is widely seen by historians as one of the New Deal’s most consequential failures, one which over time dramatically deepened residential segregation. But while the exhibition deals bluntly with the issue, it also avoids any simplified counternarrative of the New Deal writ large as inherently, and intentionally, racist at its core.

. . .

The exhibition deals directly with what the library calls the “greatest stain” on Roosevelt’s racial record: his refusal to publicly support federal anti-lynching legislation, out of fear it would alienate the Southern Democrats who dominated Congress and imperil the New Deal.

For the full story, see:

Jennifer Schuessler. “F.D.R.’s Library Takes a Hard Look at Race.” The New York Times (Thursday, August 3, 2023): C1 & C3.

(Note: ellipses added.)

(Note: the online version of the story has the date Aug. 1, 2023, and has the title “At the Roosevelt Library, an Unflinching Look at Race.”)

Allow Us to View the “Artifacts of Human Suffering” That Enable Us to “Appreciate the Epic Achievements of Medicine”

(p. D1) The Mütter Museum, a 19th-century repository of medical oddments and arcana at the College of Physicians of Philadelphia, attracts as many as 160,000 visitors a year. Among the anatomical and pathological specimens exhibited are skulls corroded by syphilis; spines twisted by rickets; skeletons deformed by corsets; microcephalic fetuses; a two-headed baby; a bound foot from China; an ovarian cyst the size of a Jack Russell terrier; Grover Cleveland’s jaw tumor; the liver that joined the original “Siamese twins,” Cheng and Eng Bunker; and the pickled corpse of the Soap Lady, whose fatty tissues decomposed into a congealed asphalt-colored substance called adipocere.

. . .

The celebrity magician Teller, a Philadelphia native, called the Mütter a place of electrifying frankness. “We are permitted to (p. D5) confront real, not simulated, artifacts of human suffering, and are, at a gut level, able to appreciate the epic achievements of medicine,” he said.

But, like museums everywhere, the Mütter is reassessing what it has and why it has it. Recently, the institution enlisted a public-relations consultant with expertise in crisis management to contain criticism from within and without.

The problems began in February [2023] when devoted fans of the Mütter’s website and YouTube channel noticed that all but 12 of the museum’s 450 or so images and videos had been removed.

. . .

Ms. Quinn had tasked 13 unnamed people — medical historians, bioethicists, disability advocates, members of the community — with providing feedback on the digital collection. “Folks from a wide background,” Ms. Quinn said in an interview.

. . .

Blowback to Ms. Quinn’s ethical review was ferocious. An online petition garnered the signatures of nearly 33,000 Mütter enthusiasts who insisted that they loved the museum and its websites as they were. The petition criticized Ms. Quinn and her boss, Dr. Mira Irons, the president and chief executive of the College of Physicians, for decisions predicated on “outright disdain of the museum.” The complaint called for the reinstatement of all web content and urged the college’s board of trustees to fire the two women immediately. (To date, about one-quarter of the videos have been reinstated.)

Moreover, in June [2023], The Wall Street Journal ran an opinion piece entitled “Cancel Culture Comes for Philly’s Weirdest Museum,” in which Stanley Goldfarb, a former director of the college, wrote that the museum’s new “woke leaders” appeared eager to cleanse the institution of anything uncomfortable. Robert Hicks, director of the Mütter from 2008 to 2019, voiced similar sentiments this spring when he quit as a museum consultant. His embittered resignation letter, which he released to the press, stated that Dr. Irons “has said before staff that she ‘can’t stand to walk through the museum,’” and it advised the trustees to investigate her and Ms. Quinn, both of whom Dr. Hicks believed held “elitist and exclusionary” views of the Mütter.

. . .

Dr. Hicks remains unhappy with the new perspective. “Dr. Mütter would have been confused at the dictum that the museum should be about health, not death,” he lamented in his resignation letter. “The principle emblazoned at the entrance of many anatomy theaters, ‘This is where the dead serve the living,’ is readily understood by museum visitors without special guidance by Dr. Irons.”

For the full story, see:

Franz Lidz. “Should a Hall of Human Curiosities Dial It Down?” The New York Times (Tuesday, August 15, 2023): D1 & D5.

(Note: ellipses, and bracketed years, added.)

(Note: the online version of the story has the date Aug. 13, 2023, and has the title “A Museum of ‘Electrifying Frankness’ Weighs Dialing It Down.”)

For more on the innovative surgeon who founded the Mütter Museum, see:

Aptowicz, Cristin O’Keefe. Dr. Mütter’s Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine. New York: Gotham Books, 2014.