Category: Free Speech

Claremont Censors Professor for Quoting Mark Twain’s Huckleberry Finn

The courageous and decent hero of Mark Twain’s Huckleberry Finn is the black slave Jim. To censor this work because of its vocabulary, spectacularly misses Mark Twain’s point. How many of those who censor Huckleberry Finn have actually read Huckleberry Finn?

(p. A15) Claremont, Calif.

I teach at Claremont McKenna College, the No. 1-ranked liberal-arts college for free speech by the Foundation for Individual Rights and Expression. FIRE may need to consider its ratings.

On Oct. 4, 2021, my class discussed Plato’s “Republic” and his views about censorship. A student objected that Plato was mistaken about its necessity. Here in the U.S., she said, there is none. Someone brought up “Huckleberry Finn.” She replied, correctly, that removing a book from curriculums doesn’t constitute censorship. I pointed out that the case was more complicated. The book had also been removed from libraries and published in expurgated editions.

An international student asked me why. I told her, quoting Mark Twain’s precise language, which meant speaking the N-word.

. . .

. . ., the dean enlisted the help of both the department chairman and a co-director of the college’s Open Academy program—a resource center that describes its purpose as “to counter the forces that are pulling us apart with educational strategies that bring us together”—to ban me from teaching any required courses in the future, seemingly into perpetuity.

. . .

The administration’s behavior toward me and two similar cases in the literature department seem to show that CMC sets the bounds of faculty speech arbitrarily. This spring, a literature adjunct read aloud and asked students to discuss a passage from “The Color Purple” that contained the N-word. They complained. Ms. Antecol summoned the adjunct, who apologized and agreed to undergo recommended counseling. The professor submitted to re-education and training in critical race theory. Despite all this—and a glowing recommendation by the faculty member who observed her course—the class the adjunct was set to teach at CMC in the fall was abruptly canceled.

When a tenured literature professor, who is also well-connected to the board of trustees and the media, committed a similar offense, he received no penalty. Last fall the professor assigned Robert Lowell’s poem “For the Union Dead,” which contains the N-word. When he played in class a recording of Lowell reading the poem, a student exploded, excoriating both author and teacher as old white men. The associate vice president for diversity and inclusion informed the professor by telephone, not in writing, that he was in the clear because he hadn’t himself read the forbidden word aloud in class.

The effects of the administration’s actions are disastrous and lasting. Students, already fearful to speak their minds, become even more so when they see that certain peers can veto the content of courses and conduct of teachers arbitrarily.

. . .

My job as a teacher is to oppose ignorance wherever it manifests itself. If a dean promotes the work of Daniele da Volterra, Pope Paul IV’s painter of fig leaves, I have no choice but to stand for the original of Michelangelo. And so must I stand for the original works of Mark Twain and Frederick Douglass, exactly as written by their authors. They deserve that, as do my students.

For the full commentary see:

Christopher Nadon. “Censorship at a Top College for Free Speech.” The Wall Street Journal (Tuesday, Aug. 23, 2022): A15.

(Note: ellipses added.)

(Note: the online version of the commentary has the date August 22, 2022, and has the same title as the print version.)

A thrifty edition of Mark Twain’s humane masterpiece is:

Twain, Mark. Adventures of Huckleberry Finn. Mineola, NY: Dover Publications, Inc., 1994 [1885].

Freedom of Speech Matters “Above All Liberties”

(p. C14) Today, Milton is best known for “Paradise Lost.” Long before writing that epic poem about the fall of man, however, he was a polemicist who participated in the political controversies of his day.

. . .

A bill in Parliament demanded that printers receive government approval for their publications, in part to guard against the supposed heresies of Milton and his fellow authors. For Milton, this licensing scheme was an illiberal outrage—and he said so in “Areopagitica,” which is now widely regarded as the world’s first important essay in defense of free speech.

The 1644 treatise takes its peculiar name from the Areopagus, a rocky mount just below the Acropolis in Athens. The ancient Greeks gathered there for debates and trials. It’s also the site of Paul’s sermon in Acts 17. Milton presented his essay in the form of a speech, though he never delivered it. That’s probably just as well: At nearly 18,000 words, it would have taken about three hours.

“Give me the liberty to know, to utter, and to argue freely according to conscience, above all liberties,” wrote Milton, in a line that has echoed across centuries.

. . .

A minor curiosity of “Areopagitica” is Milton’s brief mention of visiting “the famous Galileo grown old, a prisner to the Inquisition, for thinking in Astronomy otherwise then the Franciscan and Dominican licencers thought.” This is the only record of a meeting between the era’s greatest scribe and its greatest scientist, and it would have happened when Milton traveled to Italy in 1638.

For the full review, see:

John J. Miller. “MASTERPIECE; A Ringing Defense of Free Speech.” The Wall Street Journal (Saturday, May 07, 2022): C14.

(Note: ellipses added.)

(Note: the online version of the review has the date May 6, 2022, and has the same title as the print version.)

A recent edition of Milton’s book is:

Milton, John. Areopagitica and Other Writings. New York: Penguin, 2016.

Leftist Anti-Covid-Vaccine Roman Catholic Nun Defends Free Speech

(p. A12) MONTSERRAT, Spain — Sister Teresa Forcades came to public notice years ago for her unflinching liberal views: an outspoken Roman Catholic nun whose pronouncements ran counter to the church’s positions on same-sex marriage and abortion.

She became a fixture on Spanish television, appearing in her nun’s habit to advocate independence for her native region of Catalonia, and to debate other hot-button topics, including vaccines. She had trained as a doctor, partly in the United States, and argued that vaccinations might one day pose a danger to a free society.

. . .

“It’s always important that criticism is possible, to have dissenting voices,” she said of her views, which center as much on her doubts about the vaccines as her right to question them in public. “The answer cannot be that in the time of a crisis, society cannot allow the criticism — it’s precisely then that we need it.”

. . .

In the world of vaccine skeptics, Sister Teresa, who was born in 1966 to a nurse and a commercial agent, is hard to categorize. She acknowledges that some vaccines are beneficial, but opposes making them mandatory. Her misgivings about coronavirus vaccines largely stem from her view that pharmaceutical companies are not to be trusted, and the clinical trials were rushed.

. . .

Sister Teresa, though staunchly leftist, doesn’t distance herself from right-wing followers, calling her distrust of some vaccines a “transversal question able to reach a wide spectrum of people.”

For the full story see:

Nicholas Casey. “Spanish Nun With Medical Training Champions Vaccine Distrust.” The New York Times (Saturday, April 24, 2021): A12.

(Note: ellipses added.)

(Note: the online version of the article has the date April 23, 2021, and has the title “A Nun and a Doctor, She’s One of Europe’s Longstanding Vaccine Skeptics.”

Those Who Survived Dictatorship Know We Need “More Freedom, More Speech, Not Less”

(p. A19) The left’s reaction to Mr. Trump’s rhetoric was instructive. Anyone who mentioned the lab-leak theory was assailed as pro-Trump. Social-media companies removed posts mentioning it. By January 2021, it was obvious that shutting down debate was the true antiscience position. Invaluable months were lost, time the Chinese Communist Party used to destroy data and spread disinformation about the virus’s origins. We may never know the truth, but we do know there was a coverup.

Increasing numbers of Americans believe their freedom is under attack, and I agree. . . .

Schools are being pressured to remove books and cancel professors for spreading the “wrong” ideas. These sentiments are all too familiar to me, and to anyone who has survived life in a dictatorship. The only answer is more freedom, more speech, not less.

For the full commentary see:

Garry Kasparov. “‘Woke’ Is a Bad Word for a Real Threat to American Democracy.” The Wall Street Journal (Thursday, Nov. 18, 2021): A19.

(Note: ellipsis added.)

(Note: the online version of the commentary has the date November 17, 2021, and has the same title as the print version.

When Defenders of Free Speech Gain Power, They Often Succumb to “Milton’s Curse”

(p. A17) A typical account of free-speech history will begin with John Milton’s 1644 attack on censorship, “Areopagitica.” To those who feared the publication of false and dangerous doctrines, Milton said, in essence, buck up: “Who ever knew Truth put to the worse in a free and open encounter?” A typical account will then note that Milton went on to write “Paradise Lost”: A great poet and a great defense of free speech make an appealing pair. What probably won’t be mentioned is that Milton, who wrote “Areopagitica” early in the English Civil War, served the victors as, among other things, a censor and propagandist. That’s not so appealing, particularly if we know that other, forgotten, champions of free speech, like the radical democrat John Lilburne, were imprisoned under the regime Milton supported.

In “Free Speech: A History From Socrates to Social Media,” Jacob Mchangama delivers the bad news about Milton. Indeed, a recurring theme in this expansive, atypical history is “Milton’s Curse,” a disease that afflicts defenders of free speech when they are exposed to power.

. . .

“Free Speech” is addressed especially to the well-meaning among would-be censors. They should know how rarely censorship goes as planned. Consider Russia, which early in the 19th century organized more than a dozen censorship units that “placed almost comically strict limits on what could be published and imported.” A cookbook that referred to “free air” in an oven was deemed subversive, but Marx’s “Capital,” later in the century, slipped the czar’s net. Hardly anyone, the censors reasoned, would read such a “colossal mass of abstruse, somewhat obscure politico-economic argumentation.”

. . .

. . ., Mr. Mchangama alerts well-meaning censors who wish to curtail only “hate speech” that illiberal governments have hidden behind that same wish. The International Covenant on Civil and Political Rights, adopted by the United Nations General Assembly in 1966, says that “advocacy of national, racial, or religious hatred that constitutes incitement to discrimination, hostility or violence shall be prohibited by law.” This provision—which can easily be abused to “justify [the] persecution of opinions” that a government doesn’t like, as Mr. Mchangama says—was a win for the longtime Soviet position. In 1989, when Libyan and Iranian delegates condemned Salman Rushdie’s “Satanic Verses” at the U.N., they invoked the standard of the 1966 covenant. “The real criminal,” Mr. Mchangama notes, “was Rushdie, not those who sought to kill him.”

For the full review, see:

Jonathan Marks. “BOOKSHELF; How Dare You Say Such Things.” The Wall Street Journal (Thursday, Feb. 10, 2022): A17.

(Note: ellipses added.)

(Note: the online version of the review has the date February 9, 2022, and has the title “BOOKSHELF; ‘Free Speech’ Review: How Dare You Say Such Things.”)

The book under review is:

Mchangama, Jacob. Free Speech: A History from Socrates to Social Media. New York: Basic Books, 2022.

Young Despairing Chinese Adopt the “Run Philosophy”

(p. B1) “I can’t stand the thought that I will have to die in this place,” said Cheng Xinyu, a 19-year-old writer in the southwestern Chinese city of Chengdu, who is thinking of migrating to foreign countries before the government’s iron fist falls on her.

She can’t imagine having children in China, either.

“I like children, but I don’t dare to have them here because I won’t be able to protect them,” she said, citing concerns like pandemic control workers breaking into apartments to spray disinfectant, killing pets and requiring residents to leave the keys in their apartment door locks.

Ms. Cheng is part of a new trend known as the “run philosophy,” or “runxue,” that preaches running away from China to seek a safer and brighter future. She and millions of others also reposted a video in which a young man pushed back against police officers who warned that his family would be punished for three generations if he refused to go to a quarantine camp. “This will be our last generation,” he told the police.

His response became an online meme that was later censored. Many young people identified with the sentiment, saying they would be reluctant to have children under the increasingly authoritarian government.

. . .

(p. B3) The “run philosophy” and the “last generation” are the rallying cries for many Chinese in their 20s and 30s who despair about their country and their future. They are entering the labor force, getting married and deciding whether to have children in one of the country’s bleakest moments in decades. Censored and politically suppressed, some are considering voting with their feet while others want to protest by not having children.

. . .

Doris Wang, a young professional in Shanghai, said she had never planned to have children in China. Living through the harsh lockdown in the past two months reaffirmed her decision. Children should be playing in nature and with one another, she said, but they’re locked up in apartments, going through rounds of Covid testing, getting yelled at by pandemic control workers and listening to stern announcements from loudspeakers on the street.

“Even adults feel very depressed, desperate and unhealthy, not to mention children,” she said. “They’ll definitely have psychological issues to deal with when they grow up.” She said she planned to migrate to a Western country so she could have a normal life and dignity.

Compounding the frustrations, headlines are full of bad news about jobs. There will be more than 10 million college graduates in China this year, a record. But many businesses are laying off workers or freezing head counts as they try to survive the lockdowns and regulatory crackdowns.

. . .

“When you find that as an individual you have zero ability to fight back the state apparatus, your only way out is to run,” said Ms. Wang, the young professional in Shanghai.

For the full commentary see:

Li Yuan. “The New New World; Young Chinese Feel Suffocated.” The New York Times (Wednesday, May 25, 2022): B1 & B3.

(Note: ellipses added.)

(Note: the online version of the commentary has the date May 24, 2022, and has the title “The New New World;‘The Last Generation’: The Disillusionment of Young Chinese.”

“Maverick” Chinese Entrepreneur Zhou Hang Dares Criticize Zero Covid Policy

(p. B1) China’s entrepreneur class is grappling with the worst economic slump in decades as the government’s zero Covid policy has shut down cities and kept would-be customers at home. Yet they can’t seem to agree on how loudly they should complain — or even whether they should at all.

. . .

Their approach, the equivalent of an ostrich sticking its head in the sand, doesn’t make sense to Zhou Hang. Mr. Zhou, a tech entrepreneur and a venture capitalist, has questioned how his peers can pretend it’s business as usual, given the political and economic upheaval. Stop putting up with the ridiculous reality, he urged. It’s time to speak up and seek change.

Mr. Zhou is rare in China’s business community for being openly critical of the government’s zero Covid policy, which has put hundreds of millions of people under some kind of lockdowns in the past few months, costing jobs and revenues. He’s saying what many others are whispering in private but fear to say in public.

“The questions we should ask ourselves are,” he wrote in an article that was censored within an hour of posting (p. B4) but shared widely in other formats, “what caused such widespread negative sentiment across the society? Who should be responsible for this? And how can we change it?”

He said the lockdowns in Shanghai and other cities made it clear that wealth and social status meant little to a government determined to pursue its zero Covid policy. “We’re all nobodies who could be sent to the quarantine camps, and our homes could be broken into,” he wrote. “If we still choose to adapt to and put up with this, all of us will face the same destiny: trapped.”

. . .

Mr. Zhou, 49, is known as a maverick in Chinese business circles. He founded his first business in stereo systems with his brother in the mid-1990s when he was still in college. In 2010, he started Yongche, one of the first ride-hailing companies.

Unlike most Chinese bosses, he didn’t demand that his employees work overtime, and he didn’t like liquor-filled business meals. He turned down hundreds of millions of dollars in funding and refused to participate in subsidy wars because doing so didn’t make economic sense. He ended up losing out to his more aggressive competitor Didi.

He later wrote a best seller about his failure and became a partner at a venture capital firm in Beijing. In April [2022], he was named chairman of the ride-sharing company Caocao, a subsidiary of auto manufacturing giant Geely Auto Group.

A Chinese citizen with his family in Canada, Mr. Zhou said in an interview that in the past many wealthy Chinese people like him would move their families and some of their assets abroad but work in China because there were more opportunities.

Now, some of the top talent are trying to move their businesses out of the country, too. It doesn’t bode well for China’s future, he said.

“Entrepreneurs have good survivor’s instinct,” he said. “Now they’re forced to look beyond China.” He coined a term — “passive globalization” — based on his discussions with other entrepreneurs. “Many of us are starting to take such actions,” he said.

For the full story see:

Li Yuan. “A Solitary Critic on ‘Zero Covid’.” The New York Times (Saturday, June 11, 2022): B1 & B4.

(Note: ellipses, and bracketed year, added.)

(Note: the online version of the story has the date June 10, 2022 and has the title “A Chinese Entrepreneur Who Says What Others Only Think.”)

“Quiet, Unassuming” Dr. Zelenko Got Twitter Suspension and Death Threats for Speaking on Hydroxychloroquine

Dr. Zelenko was stricken with a rare form of lung cancer in 2018, shortly before the Covid-19 pandemic. I wonder if that increased his personal sense of urgency to find a cure for Covid-19?

(p. A21) Vladimir Zelenko, a self-described “simple country doctor” from upstate New York who rocketed to prominence in the early days of the Covid-19 pandemic when his controversial treatment for the coronavirus gained White House support, died on Thursday in Dallas. He was 48.

. . .

Like many health care providers, he scrambled when the coronavirus began to appear in his community. Within weeks he had landed on what he insisted was an effective cure: a three-drug cocktail of the antimalarial drug hydroxychloroquine, the antibiotic azithromycin and zinc sulfate.

. . .

“At the time, it was a brand-new finding, and I viewed it like a commander in the battlefield,” Dr. Zelenko told The New York Times. “I realized I needed to speak to the five-star general.”

On March 28, [2020] the Food and Drug Administration granted emergency authorization to doctors to prescribe hydroxychloroquine and another antimalarial drug, chloroquine, to treat Covid. Mr. Trump called the treatment “very effective” and possibly “the biggest game changer in the history of medicine.”

But, as fellow medical professionals began to point out, Dr. Zelenko had only his own anecdotal evidence to support his case, and what little research had been done painted a mixed picture.

Still, he became something of a folk hero on the right, someone who offered not just hope amid the pandemic but also an alternative to the medical establishment and Dr. Anthony Fauci, the director of the National Institute of Allergy and Infectious Diseases, who insisted that months of research would be needed to find an effective treatment.

. . .

A quiet, unassuming man, Dr. Zelenko seemed unprepared for the attention he received, which included harassing phone calls and even death threats. In May 2020, a federal prosecutor opened an investigation into whether he had falsely claimed F.D.A. approval for his research.

. . .

After the F.D.A. rescinded its approval of hydroxychloroquine as a Covid treatment, he founded a company, Zelenko Labs, to promote other nonconventional treatments for the disease, including vitamins and quercetin, an anti-inflammatory drug.

And while he claimed to be apolitical, he embraced the image of a victim of the establishment. He founded a nonprofit, the Zelenko Freedom Foundation, to press his case. In December 2020, Twitter suspended his account, stating that it had violated standards prohibiting “platform manipulation and spam.”

. . .

In a memoir, “Metamorphosis” (2018), Dr. Zelenko wrote that he grew up nonreligious and entered Hofstra University as an avowed atheist.

“I enjoyed debating with people and proving to them that G-d did not exist,” he wrote. “I studied philosophy and was drawn to nihilistic thinkers such as Sartre and Nietzsche.”

But after a trip to Israel, he began to change his mind. He gravitated toward Orthodox Judaism, and in particular the Chabad-Lubavitch movement.

He graduated from Hofstra in 1995 with a degree in chemistry, and he received his medical degree from the State University of New York at Buffalo in 2000.

. . .

In 2018, doctors found a rare form of cancer in his chest and, in hopes of treating it, removed his right lung.

For the full obituary see:

Clay Risen. “Vladimir Zelenko, 48, ‘Country Doctor’ Who Pushed Unfounded Covid Remedy.” The New York Times (Saturday, July 2, 2022): A21.

(Note: ellipses, and bracketed year, added.)

(Note: the online version of the obituary has the date July 1, 2022 and has the title “Vladimir Zelenko, 48, Dies; Promoted an Unfounded Covid Treatment.”)

Dr. Zelenko’s pre-Covid-19 memoir is:

Zelenko, Vladmir. Metamorphosis. Lakewood, NJ: Israel Bookshop Publications, 2019.

A highly credentialed Yale academic presented evidence of the promise of hydroxychloroquine for early outpatient treatment in:

Risch, Harvey A. “Early Outpatient Treatment of Symptomatic, High-Risk Covid-19 Patients That Should Be Ramped-up Immediately as Key to the Pandemic Crisis.” American Journal of Epidemiology 189, no. 11 (Nov. 2020): 1218–26.

Chinese Communists Censor Tiananmen Ice Cream Tank

Tweeted screen capture from a Weibo posting by Li Jiaqi, a posting that was then censored by the Chinese Communists.

(p. A9) HONG KONG—One of China’s biggest online influencers stepped on a political land mine while promoting an ice-cream product on Friday. In the process, he set off a wave of curiosity about the government’s bloody 1989 crackdown on Tiananmen Square protesters among hordes of fans too young to remember it.

. . .

Mr. Li was promoting Viennetta, a British brand of ice cream made by Unilever, around 9 p.m. on Friday [June 3, 2022]. He and a co-host presented a layered ice cream decorated with round cookies placed along its sides, and topped off with what appeared to be a chocolate stick. Almost immediately, the live show went offline.

To some viewers, the reason for the cutoff was obvious: The dessert sculpture resembled a tank—a sensitive symbol of the Chinese military’s killing of pro-democracy protesters on June 4, 1989, made all the more potent by the iconic image of an anonymous Beijing man facing down a line of them in the wake of the massacre.

. . .

To large numbers of Mr. Li’s other 170 million followers, many of whom were born after 1989 and talk vastly more about shopping than politics, the show’s suspension was puzzling.

. . .

Some of Mr. Li’s fans stumbled upon a 1989 document posted on the central government’s website describing the event as a violent riot that caused the deaths of many soldiers, and posted a link to it online. Many ended their posts with an endorsement of the Communist Party.

Several fans complained that their Weibo accounts were frozen after they posted information that they had dug up about Tiananmen Square.

For the full story, see:

Wenxin Fan. “Ice Cream Sets Off China’s Censors.” The Wall Street Journal (Monday, June 6, 2022): A9.

(Note: ellipses, and bracketed date, added.)

(Note: the online version of the story was updated June 5, 2022, and has the title “Chinese Influencer’s Ice-Cream Pitch Inadvertently Introduces Fans to Tiananmen Square Massacre.”)

WHO Scientists Say China Should Release Data and Reports on Origin of Covid-19

(p. A9) In its first report, a team of international scientists assembled by the World Health Organization to advise on the origins of the coronavirus said on Thursday [June 9, 2022] that bats likely carried an ancestor of the coronavirus that may have then spilled over into a mammal sold at a wildlife market. But the team said that more Chinese data was needed to study how the virus spread to people, including the possibility that a lab leak played a role.

The team, appointed by the W.H.O. in October as the organization tried to reset its approach to studying the pandemic’s origins, said that Chinese scientists had shared information with them, including from unpublished studies, on two occasions. But gaps in Chinese reports made it difficult to determine when and where the outbreak emerged, the report said.

. . .

Filippa Lentzos, a biosecurity researcher at King’s College London, praised the latest report for noting the lack of published findings from China’s own origin studies. But she said that its proposals for future pandemic origin studies did not adequately account for investigations into “accidental or deliberate events,” which she said would require expertise outside of public health.

Jesse Bloom, a virologist at the Fred Hutchinson Cancer Research Center, said that the report made clear that mitigating future pandemic threats required considering both animal and laboratory origins.

“Both of these things are sufficiently serious possibilities that they need to be thought about together,” he said.

For the full story, see:

Benjamin Mueller and Carl Zimmer. “Scientists Say More Chinese Data Is Needed to Trace Covid’s Origins.” The New York Times (Friday, June 10, 2022): A9.

(Note: ellipsis, and bracketed date, added.)

(Note: the online version of the story has the date June 9, 2022, and has the title “Mysteries Linger About Covid’s Origins, W.H.O. Report Says.”)

Which Country’s National Anthem Ends by Questioning Its Citizens’ Bravery and Freedom?

(p. 9) Mark Clague knows everything about “The Star-Spangled Banner,” . . . .

. . .

The lyrics were composed by the lawyer, politician and amateur poet Francis Scott Key while held prisoner by the British in Baltimore Harbor during the War of 1812.

. . .

Clague even creates a detailed military map of the engagement to demonstrate how “perilous” that fight really was. The first verse, the only one now sung, ends, as every child knows, with a question:

“Oh, say does that star-spangled banner yet wave/O’er the land of the free, and the home of the brave?”

In the complete version, Key details his relief at finally seeing the flag, and rejoices in the promise of future victories. But those three verses are rarely sung, and leaving the question unanswered might be the secret to the song’s hold on the American public. It is not an anthem that, like “La Marseillaise,” calls for our enemy’s “impure blood to water our fields.” Rather, it’s a song for a country that is still in the fight, for its existence and its ideals, and it offers an invitation to any and all — the “you” of the first line — . . .

. . .

. . ., Clague has no patience for anyone who demands . . . reverence from others, . . . . But he reveres the anthem itself, and he makes the strongest case for the song in his detailed analysis of what he calls its most successful modern rendition, Whitney Houston’s performance at the 1991 Super Bowl.

Houston’s version, though, is transformed by artistry and personality and musical genius. She has changed the time signature to 4/4, and imbues the melody with the ornamentation of jazz, blues and, most important, gospel. By the time she gets that highest “FREEEE” she not only reaches but goes above it, expressing ownership of the word and the gesture. While the lyrics may remain as written, the meaning of a crucial word in the first line — “you” — has been wrenched from past to present to be addressed, at last, to all of us.

So: Does that star-spangled banner yet wave o’er the land of the free and home of the brave? Not yet, perhaps. But listening to a descendant of the enslaved claiming the song of a slaver, you want to believe it someday might.

For the full review, see:

Peter Sagal. “High Notes.” The New York Times Book Review (Sunday, July 3, 2022): 9.

(Note: ellipses added.)

(Note: the online version of the review was updated June 22, 2022, and has the title “Our Flag Was Still There.”)

The book under review is:

Clague, Mark. O Say Can You Hear?: A Cultural Biography of “the Star-Spangled Banner”. New York: W. W. Norton & Company, 2022.