(p. A10) Disney’s live-action remake of “Mulan” has drawn a fresh wave of criticism for being filmed partly in Xinjiang, the region in China where Uighur Muslims have been detained in mass internment camps.
The outcry, which has spread to include U.S. lawmakers, was the latest example of how the new film, released on Disney+ over the weekend, has become a magnet for anger over the Chinese Communist Party’s policies promoting nationalism and ethnic Han chauvinism.
. . .
The film was already coming under fire months ago, facing calls for a boycott by supporters of the Hong Kong antigovernment protests after the movie’s star, Liu Yifei, said she backed the city’s police, who have been criticized for their use of force against pro-democracy demonstrators.
Last month, as Disney ramped up promotion for the new film, supporters of the Hong Kong protests anointed Agnes Chow, a prominent democracy activist who was recently arrested under the territory’s new national security law, as their own, “real” Mulan.
Rayhan Asat, an ethnic Uighur lawyer in Washington whose younger brother, Ekpar Asat, has been imprisoned in Xinjiang, said in an interview that Disney giving credit to Xinjiang government agencies “runs counter to the ideals of those in the artistic, business and entertainment communities.”
“Devastatingly, Disney’s support amounts to collaboration and enables repression,” she added. “Those who claim to champion freedom in the world cannot afford to ignore such complicity.”
. . .
Last year, Mr. Pence criticized American companies for trying to silence speech in order to maintain access to the Chinese market. He accused Nike of checking its “conscience at the door” and owners and players in the N.B.A. of “siding with the Chinese Communist Party” by suppressing support for the pro-democracy movement in Hong Kong.
In July , an ESPN investigation described reports of abuse of young players at the National Basketball Association’s player-development training camps in China, including in Xinjiang. After the investigation was published, the N.B.A. acknowledged for the first time that it had ended its relationship with the Xinjiang academy more than a year earlier, but declined to say whether human rights had been a factor.
On Monday, calls to boycott “Mulan” began growing on social media. Among the critics was Joshua Wong, a prominent Hong Kong pro-democracy activist, who accused Disney of bowing to pressure from Beijing. Supporters in Thailand and Taiwan had also urged a boycott of the movie, citing concerns about China’s growing influence in the region.
For the full story, see:
Amy Qin and Edward Wong. “Calls Grow to Boycott ‘Mulan’ Over China’s Treatment of Uighur Muslims.” The New York Times (Wednesday, September 9, 2020): A10.
(Note: ellipses, and bracketed year, added.)
(Note: the online version of the story has the date Sept. 8, 2020, and has the title “Why Calls to Boycott ‘Mulan’ Over Concerns About China Are Growing.” Where the online and print versions differ, the passages above follow the print version.)