(p. C1) In his new documentary film “Slava Ukraini,” Bernard-Henri Lévy, France’s most famous public intellectual, dodges Russian sniper fire in Ukraine, nonchalantly wearing a khaki bulletproof vest over a chic bespoke suit.
He climbs onto a Ukrainian naval vessel in Odessa that is sweeping the Black Sea for Russian mines, his mane of graying hair blowing gently in the wind. And he surveys blown-out apartment blocks in Kyiv, descends into trenches with Ukrainian soldiers in Sloviansk and comforts a mother whose young son is so traumatized by war, he has stopped speaking.
It can be easy to dismiss Lévy — and plenty do — as a 74-year-old reckless war tourist, an heir to a timber fortune playing action hero as Russian missiles rain down on Kyiv, Kharkiv and Mariupol. But instead of spending the last 12 months in his art-filled home on Paris’s right bank or enjoying retirement at his 18th-century palace in Marrakesh, Lévy has been braving Russian military assaults, vertigo and what (p. C5) he calls his natural tendency for melancholy to make his Ukraine film.
It was, he said, a necessary cri de coeur to support Ukraine in a conflict he views as nothing less than a battle for the future of Europe, global liberalism and Western civilization.
“In Ukraine, I had the feeling for the first time that the world I knew, the world in which I grew up, the world that I want to leave to my children and grandchildren, might collapse,” he said during an interview at the Carlyle Hotel in New York earlier this month, . . .
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(Note: the online version of the story has the date Feb. 28, 2023, and has the title “A Polarizing French Philosopher Chooses War Zones Over Salons.”)