Author: Art Diamond

Early Animation “Followed Only One Rule”: “Anything Goes”

(p. C5) The story of Disney Studios is a central strand in Mitenbuler’s narrative; Disney became the formidable force that the other animation studios would look toward, compete with and rail against. Max Fleischer, whose studio was responsible for the likes of Popeye and Betty Boop, groused that Disney’s “Snow White,” released in 1937, was “too arty.”  . . .  The wife of one of the Fleischer brothers, though, said they had better watch out: “Disney is doing art, and you guys are still slapping characters on the butt with sticks!”

But what if those slapped butts were part of what had made animation so revolutionary in the first place? Mitenbuler suggests as much, beginning “Wild Minds” with the early days of animation, in the first decades of the 20th century, when the technology of moving pictures was still in its infancy. Like the movie business in general, the field of animation contained few barriers to entry, and a number of Jewish immigrants shut out from other careers found they could make a decent living working for a studio or opening up their own. Even Disney, who grew up in the Midwest, was an outsider without any connections.

The work created in those early decades was often gleefully contemptuous of anything that aspired to good taste. Until the movie studios started self-censoring in the early ’30s, in a bid to avoid government regulation, animators typically followed only one rule to the letter: Anything goes.

For the full review, see:

Jennifer Szalai. “BOOKS OF THE TIMES: Ehh, What’s Animation, Doc?” The New York Times (Thursday, December 17, 2020): C5.

(Note: ellipsis added.)

(Note: the online version of the review has the date Dec. 16, 2020, and has the title “BOOKS OF THE TIMES: ‘Fantasia,’ ‘Snow White,’ Betty Boop, Popeye and the First Golden Age of Animation.”)

The book under review is:

Mitenbuler, Reid. Wild Minds: The Artists and Rivalries That Inspired the Golden Age of Animation. New York: Atlantic Monthly Press, 2020.

Fauci Lied on Herd Immunity Until His “Gut Feeling” Told Him U.S. Was Ready for the Truth

(p. A6) In the pandemic’s early days, Dr. Fauci tended to cite the same 60 to 70 percent estimate that most experts did. About a month ago, he began saying “70, 75 percent” in television interviews. And last week, in an interview with CNBC News, he said “75, 80, 85 percent” and “75 to 80-plus percent.”

In a telephone interview the next day, Dr. Fauci acknowledged that he had slowly but deliberately been moving the goal posts. He is doing so, he said, partly based on new science, and partly on his gut feeling that the country is finally ready to hear what he really thinks.

For the full story, see:

Donald G. McNeil Jr. “How Can We Achieve Herd Immunity? Experts Are Quietly Upping the Number.” The New York Times, First Section (Sunday, December 27, 2020): A6.

(Note: the online version of the story has the date Dec. 24, 2020, and has the title “How Much Herd Immunity Is Enough?”)

Andrew Cuomo Explains Slow New York Rollout of Vaccines: “It’s Bureaucracy”

(p. A1) ALBANY, N.Y. — New York, the onetime center of the pandemic, faced a growing crisis on Monday [Jan. 4, 2021] over the lagging pace of coronavirus vaccinations, as deaths continue to rise in the second wave and Gov. Andrew M. Cuomo came under mounting pressure to overhaul the process.

. . .

(p. A5) The state has had a deliberate approach in distributing the vaccine; until Monday, the vaccinations were almost exclusively given to health care workers, group home residents, and those living and working at nursing homes.

That cautious approach was also evident in the state’s initial guidance to determine which health care employees should be prioritized for vaccines; the state had advised clinics and other facilities to rank employees through a matrix that takes into account age, comorbidities, occupation and the section of the facility where the person works.

. . .

Mr. Cuomo rejected any notion that his administration was at fault for not distributing more vaccines, asserting that the problem was a local issue, and urging Mr. de Blasio and other leaders who oversee public hospital systems to take “personal responsibility” for their performance.

“They have to move the vaccine,” the governor said in Albany. “And they have to move the vaccine faster.”

. . .

“There is no one cause,” he said, noting that he had spoken to dozens of hospitals about the issue.

He did suggest, however, that management was at fault in some cases, saying that there was a lack of “urgency” in certain hospital systems.

“It’s bureaucracy,” he said.

For the full story, see:

Jesse McKinley, Luis Ferré-Sadurní and Emma G. Fitzsimmons. “New York Lags In Vaccinations While Toll Rises.” The New York Times (Tuesday, January 5, 2021): A1 & A5.

(Note: ellipses, and bracketed date, added.)

(Note: the online version of the story has the date Jan. 4, 2021, and has the title “New Variant Detected in New York Amid Growing Crisis Over Vaccine Rollout.”)

Communist Dictator Kim Jong-un Is “Really Sorry” for North Koreans’ Economic Suffering

(p. A10) “Our five-year economic development plan has fallen greatly short of its goals in almost all sectors,” Mr. Kim said in his opening speech to the ruling Workers’ Party’s eighth congress that began in Pyongyang, the capital, on Tuesday [Jan. 5, 2021].

. . .

. . . he had little to show on the economic front. He apologized to his people for failing to live up to their expectations. “I am really sorry for that,” he said, appearing to fight back tears. “My efforts and sincerity have not been sufficient enough to rid our people of the difficulties in their life.”

For the full story, see:

Choe Sang-Hun. “Kim Admits That He’s Failed In His 5-Year-Plan to Rebuild North Korea’s Feeble Economy.” The New York Times (Thursday, January 7, 2021): A10.

(Note: ellipses, and bracketed date, added.)

(Note: the online version of the story was updated Jan. 15, 2021, and has the title “North Korea Party Congress Opens With Kim Jong-un Admitting Failures.”)

Wheaton Economist Seth Norton Reviews Openness to Creative Destruction

Seth Norton wrote a thorough, gracious, and enthusiastic review of my book Openness to Creative Destruction: Sustaining…

Posted by Arthur Diamond on Sunday, February 7, 2021

My book is:

Diamond, Arthur M., Jr. Openness to Creative Destruction: Sustaining Innovative Dynamism. New York: Oxford University Press, 2019.

“Increasing Minimum Wages Can Cause Some Job Loss”

(p. B6) Increasing the minimum wage could lead employers to lay off some workers in order to pay others more, said David Neumark, an economics professor at the University of California, Irvine.

“There’s a ton of research that says increasing minimum wages can cause some job loss,” he said. “Plenty workers are helped, but some are hurt.”

A 2019 Congressional Budget Office study found that a $15 federal minimum wage would increase pay for 17 million workers who earned less than that and potentially another 10 million workers who earned slightly more. According to the study’s median estimate, it would cause 1.3 million other workers to lose their jobs.

For the full story, see:

Gillian Friedman. “Base Wage Of $15 Gains In Popularity Across U.S.” The New York Times (Friday, January 1, 2021): B1 & B6.

(Note: the online version of the story has the date Dec. 31, 2020, and has the title “Once a Fringe Idea, the $15 Minimum Wage Is Making Big Gains.”)

Operation Warp Speed Developed “Vaccines and Therapies in Record-Breaking Time”

(p. A10) . . . , Mr. Trump could have been the hero of this pandemic. Operation Warp Speed, which his administration announced in May [2020], appears on track to deliver vaccines and therapies in record-breaking time. The United States may well become the first country to bring the virus to heel through pharmaceutical prowess.

For the full story, see:

Donald G. McNeil Jr. “Long, Dark Winter Looms Before U.S. Gets Vaccines.” The New York Times (Tuesday, December 1, 2020): A1 & A10.

(Note: ellipsis, and bracketed year, added.)

(Note: the online version of the story was updated Dec. 24, 2020, and has the title “The Long Darkness Before Dawn.”)

Optimal Size Changes With Changing Demand and Technology

(p. B1) Twirling above a strip of land at the mouth of Rotterdam’s harbor is a wind turbine so large it is difficult to photograph. The turning diameter of its rotor is longer than two American football fields end to end. Later models will be taller than any building on the mainland of Western Europe.

Packed with sensors gathering data on wind speeds, electricity output and stresses on its components, the giant whirling machine in the Netherlands is a test model for a new series of giant offshore wind turbines planned by General Electric.

. . .

(p. B5) In coming years, customers are likely to demand even bigger machines, industry executives say. On the other hand, they predict that, just as commercial airliners peaked with the Airbus A380, turbines will reach a point where greater size no longer makes economic sense.

“We will also reach a plateau; we just don’t know where it is yet,” said Morten Pilgaard Rasmussen, chief technology officer of the offshore wind unit of Siemens Gamesa Renewable Energy, the leading maker of offshore turbines.

For the full story, see:

Stanley Reed. “A Monster Wind Turbine Is Upending an Industry.” The New York Times (Saturday, January 2, 2021): B1 & B5.

(Note: ellipsis added.)

(Note: the online version of the story has the date Jan. 1, 2021, and has the same title as the print version.)

“Hillbilly Elegy” Book (but Not the Movie) Suggests a “Culture of Poverty”

(p. C3) “Hillbilly Elegy,” published in June of 2016, attracted an extra measure of attention (and controversy) after Donald Trump’s election. It seemed to offer a firsthand report, both personal and analytical, on the condition of the white American working class.

And while the book didn’t really explain the election — Vance is reticent about his family’s voting habits and ideological tendencies — it did venture a hypothesis about how that family and others like it encountered such persistent household dysfunction and economic distress. His answer wasn’t political or economic, but cultural.

He suggests that the same traits that make his people distinctive — suspicion of outsiders, resistance to authority, devotion to kin, eagerness to fight — make it hard for them to thrive in modern American society. Essentially, “Hillbilly Elegy” updates the old “culture of poverty” thesis associated with the anthropologist Oscar Lewis’s research on Mexican peasants (and later with Daniel Patrick Moynihan’s ideas about Black Americans) and applies it to disadvantaged white communities.

Howard and Taylor mostly sidestep this argument, which has been widely criticized. They focus on the characters and their predicaments, and on themes that are likely to be familiar and accessible to a broad range of viewers. The film is a chronicle of addiction entwined with a bootstrapper’s tale — Bev’s story and J.D.’s, with Mamaw as the link between them.

But it sacrifices the intimacy, and the specificity, of those stories by pretending to link them to something bigger without providing a coherent sense of what that something might be. The Vances are presented as a representative family, but what exactly do they represent? A class? A culture? A place? A history? The louder they yell, the less you understand — about them or the world they inhabit.

For the full movie review, see:

A.O. Scott. “I Remember Bev and Mamaw.” The New York Times (Friday, November 27, 2020): C3.

(Note: the online version of the review has the date Nov. 23, 2020, and has the title “‘Hillbilly Elegy’ Review: I Remember Mamaw.”)

J.D. Vance’s book is:

Vance, J. D. Hillbilly Elegy: A Memoir of a Family and Culture in Crisis. New York: HarperCollins Publishers, 2016.

Reagan’s Tribute to the Loyalty of Man’s Best Friend

The above clip is Ronald Reagan in an episode of Death Valley Days. (Today is Ronald Reagan’s birthday.)

(p. A15) George Graham Vest, a 39-year-old lawyer, . . . [on] Sept. 23, 1870, . . . delivered one of the most enduring arguments ever performed in a courtroom.

. . .

He told jurors that “the one absolutely unselfish friend that a man can have in this selfish world, the one that never deserts him and the one that never proves ungrateful or treacherous is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground . . . if only he may be near his master’s side. He will kiss the hand that has no food to offer.”

. . .

Ronald Reagan portrayed George Vest in a 1964 episode of “Death Valley Days” and delivered his famous summation. You’ll find it. Have a tissue ready. Vest’s oration, referred to as “Tribute to a Dog,” is revered by judges and lawyers.

. . .

Vest, . . ., concluded his speech by reminding the jurors that a dog remains loyal to the end. Even after his master’s funeral, and all others have left the cemetery, Vest said, “There by his graveside will the noble dog be found, his head between his paws, his eyes sad but open in alert watchfulness.”

For the full commentary, see:

Randy Maniloff. “Stand on Precedent. That’s a Good Boy!” The Wall Street Journal (Wednesday, September 23, 2020): A15.

(Note: ellipses added.)

(Note: the online version of the commentary has the date Sep. 22, 2020, and has the same title as the print version.)

Black Cuban Dissident Rapper: “Donald Trump 2020! That’s My President”

(p. A12) HAVANA — In another era, the detention of a young Cuban dissident may have gone completely unnoticed. But when the rapper Denis Solís was arrested by the police, he did something that has only recently become possible on the island: He filmed the encounter on his cellphone and streamed it live on Facebook.

The stream last month prompted his friends in an artist collective to go on a hunger strike, which the police broke up after a week, arresting members of the group. But their detentions were also caught on cellphone videos and shared widely over social media, leading hundreds of artists and intellectuals to stage a demonstration outside the Culture Ministry the next day.

This swift mobilization of protesters was a rare instance of Cubans openly confronting their government — and a stark example of how having widespread access to the internet through cellphones is testing the power balance between the communist regime and its citizens.

. . .

In a country hammered by U.S. sanctions, the politics of some in the group have raised eyebrows. Mr. Solís is a die-hard Trump supporter: In the video he posted of his arrest, he screamed: “Donald Trump 2020! That’s my president.”

For the full story, see:

Ed Augustin, Natalie Kitroeff and Frances Robles. “‘An Awakening’: Cubans’ Access to the Internet Fosters Dissent.” The New York Times (Thursday, December 10, 2020): A12.

(Note: ellipsis added.)

(Note: the online version of the story was updated Jan. 11, 2021, and has the title “‘On Social Media, There Are Thousands’: In Cuba, Internet Fuels Rare Protests.”)