Successful Chinese Entrepreneur Stands Trial for Defending Free Speech

(p. A10) Like many entrepreneurs in China, Geng Xiaonan found a space in which to make a small fortune — in her case, publishing books on cooking, health and lifestyle.

But unlike many Chinese entrepreneurs, she mixed with critics of the party, organizing dinners and salons that brought together liberal intellectuals, retired officials and longtime dissenters.

Now, Ms. Geng is set to stand trial in Beijing on Tuesday [Feb. 9, 2021] and may spend years in prison for her support for those at odds with China’s deepening authoritarianism, her supporters say. She and her husband, Qin Zhen, have been charged with illegal business activities related to their publishing company. Friends and sympathetic legal experts maintain that her real offense in the eyes of the government was straying from business into sympathizing with critics of Communist Party power.

Ms. Geng, 46, came under growing surveillance last year after she leapt to the defense of Xu Zhangrun, a law professor in Beijing who was suspended after publishing essays scathingly critical of the party and its top leader, Xi Jinping.

“This is simply political persecution,” said Cai Xia, a former professor at the Central Party School in Beijing, who said she had been friends with Ms. Geng for about eight years. Ms. Cai has moved to the United States, where she has denounced the Chinese Communist Party’s tightening of political controls.

“It’s a selective system of enforcement,” Ms. Cai added. “They can make up whatever they want when they want to slap a crime on you.”

Ms. Geng is the latest among a handful of Chinese entrepreneurs detained or imprisoned since last year as the party draws a harder line on businesspeople it deems challengers of Beijing’s rule.

For the full story, see:

Chris Buckley. “Chinese Entrepreneur Was Model of Success, Then She Got Too Close to Critics of the Party.” The New York Times (Tues., February 9, 2021): A10.

(Note: bracketed date added.)

(Note: the online version of the story has the date Feb. 8, 2021, and has the title “This Chinese Businesswoman Was a Model of Success. Then She Angered the Party.”)

Many Chinese Have “Desperate Need” to “Hear Different View Points”

(p. A1) One by one, the chatroom participants took the digital microphone as thousands quietly listened in.

A Chinese man said he did not know whether to believe the widespread reports of concentration camps for Muslims in the far western region of Xinjiang. Then a Uighur woman spoke up, calmly explaining that she was certain of the camps’ existence because her relatives had been among those interned. A man from Taiwan chimed in to urge understanding on all sides, while another from Hong Kong praised the woman for her courage in coming forward.

It was a rare moment of cross-border dialogue with people on the mainland of China, who are usually separated from the rest of the online world by the Great Firewall. For a short time, they found an open forum on the social media app, Clubhouse, to discuss con-(p. A10)tentious topics, free from the usual constraints of the country’s tightly controlled internet.

By Monday [Feb. 8, 2021] evening, the inevitable happened: The Chinese censors moved in. Many mainland users reported receiving error messages when they tried to use the platform. Some said they could only access the app by tunneling through the digital border using a VPN, or virtual private network. Within hours, more than a thousand users had tuned in to hear a discussion about the ban in a chatroom titled “Walled off, so now what?” Searches for “Clubhouse” on the popular Chinese social media platform Weibo were blocked.

To many users in mainland China, it was a brief window into an unfettered social media. Under China’s leader, Xi Jinping, the government has been ramping up its efforts to assert near-total digital control over what its citizens read and say online.

. . .

“Clubhouse is exactly what Chinese censors don’t want to see in online communication — a massive, freewheeling conversation in which people are talking openly,” said Xiao Qiang, founder of China Digital Times, a website that tracks Chinese internet controls. “It’s also a reminder that when there is an opportunity, many Chinese have a desperate need to talk to each other and to hear different view points.”

For the full story, see:

Amy Chang Chien and Amy Qin. “A Virtual Space for Chinese Debate Disappears.” The New York Times (Tues., February 9, 2021): A1 & A10.

(Note: ellipsis, and bracketed date, added.)

(Note: the online version of the story was updated Feb. 25, 2021, and has the title “In China, an App Offered Space for Debate. Then the Censors Came.”)

Chinese People Yearn for Freedom of Speech

(p. B1) For years, the Chinese government has prevented its 1.4 billion people from speaking freely online. A digital wall separated them from the rest of the world.

Then, for a precious few days, that wall was breached.

Clubhouse, a new social media app that emerged faster than the censors could block it, became a place for Mandarin Chinese speakers from the mainland and anywhere else to speak their minds. They had a lot to say.

. . .

The Chinese government blocked the app Monday [Feb. 8, 2021] afternoon. I knew it was coming, and yet I still didn’t expect to feel so dismayed.

For that brief moment, people in China proved that they are as creative and well spoken as (p. B6) people who enjoy the freedom to express themselves. They lined up, sometimes for hours, to wait for their turns to speak. They argued for the rights of the government loyalists to speak despite their disagreements. They held many honest, sincere conversations, sometimes with tears and sometimes with laughter.

Those conversations helped illuminate why the Chinese government blocks free speech online in the first place. Those free-flowing exchanges threaten to debunk the caricatures that the state-controlled media often foists upon the Chinese people. The state media dismisses people like the Tiananmen protesters, pro-democracy advocates in Hong Kong or those in Taiwan who want the island to take a different path from the mainland.

Likewise, mainlanders got a chance to prove that they aren’t brainwashed drones. People who had been demonized got a chance to speak out and be humanized.

Over the past two decades, Beijing has developed the most sophisticated online censorship system in the world. Big online platforms like Google, Facebook, Twitter and YouTube were blocked long ago. Under Xi Jinping’s leadership, a growing number of topics have become off limits on the Chinese internet. Clubhouse gave mainland Chinese users a chance to flock to chatrooms focused on those taboos.

. . .

Several chatrooms were devoted to the bloody crackdown in Tiananmen Square, a heavily censored topic on the Chinese internet. Cai Chongguo, a student leader during the protests, talked for about four hours, sharing his stories and answering questions from thousands of people.

. . .

Even during the freewheeling conversation, censorship was on the minds of many. On Monday afternoon, one room that reached Clubhouse’s maximum of 5,000 users featured speakers sharing their concerns over whether they would be questioned by the authorities for speaking out on the app.

. . .

A few hours later, mainland users began to report that the app had been blocked. Several rooms were set up immediately for people to chat it over. I joined a room for people to mourn the blocking.

The title of the room featured three candle emoticons. People lined up to share their most memorable experience. A few speakers cried.

. . .

Ms. Sun, who lives in Germany, had never talked about such politically sensitive topics with strangers. Then, on Saturday, she had waited more than two hours to speak in a chatroom about those very topics with thousands of people from mainland China, Taiwan, Hong Kong and other parts of the world.

Someday, she said in an interview, Chinese people would be able to talk freely. Many Eastern Germans didn’t expect the Berlin Wall to fall in 1989, she added, but it happened.

“Nobody can predict the future,” Ms. Sun said. “We should believe in humanity and humanity’s yearning for freedom.”

For the full commentary, see:

Li Yuan. “THE NEW NEW WORLD; China’s Spirit Shines Behind Firewall.” The New York Times (Wednesday, February 10, 2021): B1 & B6.

(Note: ellipses, and bracketed date, added.)

(Note: the online version of the commentary has the date Feb. 9, 2021, and has the title “THE NEW NEW WORLD; The Great Firewall Cracked, Briefly. A People Shined Through.”)

Clubhouse Tests the Market for Live Unfiltered Talk

(p. B1) Clubhouse and other audio-based social networks are attracting users with a simple appeal: hearing another human voice.

. . .

(p. B4) Clubhouse could be successful in building paid features because of its air of exclusivity—an invitation is required to join, but easy to procure—and the high-profile names coming to converse on the platform, including Facebook Chief Executive Officer Mark Zuckerberg, Tesla Inc. CEO Elon Musk, actor Lindsay Lohan and Brad Parscale, one-time campaign manager for former President Donald Trump.

. . .  Mr. Musk’s appearance had in part helped drive an influx of China-based users to Clubhouse, where they participated in a rare outpouring of free debate on topics that are taboo in China, until Beijing’s censors this week appeared to cut off access to the app.

Any Clubhouse user can create a virtual room with designated speakers to discuss any topic, for example the merits of bitcoin, startup-building advice, stand-up comedy, or recovery from childhood trauma. Poetry readings, bedtime serenades and guided meditation are on offer. A number of the conversations are about Clubhouse itself, with users dissecting the app, lamenting its shortcomings and complaining about other users.

Tech executives have questioned the staying power of an app with so few guardrails for the length and quality of conversation and no way to filter out idle chatter.

. . .

As with seemingly all online communities, the challenge of moderation looms. Live audio is tougher to moderate than text or images, . . .

For the full story, see:

Heather Somerville. “Social Networks With A Voice Draw Users.” The Wall Street Journal (Friday, Feb 12, 2021): B1 & B4.

(Note: ellipses added.)

(Note: the online version of the story has the date February 11, 2021, and has the title “Clubhouse Wins Over Hollywood, Tech, Even Elon Musk. Are You Next?”)

Disney Cancels Canaro for Daring to Defend Free Speech

(p. B2) Lucasfilm said it is no longer working with Gina Carano after the actress’s social-media posts angered fans.

Ms. Carano played the character Cara Dune on “The Mandalorian,” a television series inspired by the Star Wars franchise that is available to stream on Walt Disney Co.’s Disney+ service. Lucasfilm is a unit of Disney.

“Gina Carano is not currently employed by Lucasfilm and there are no plans for her to be in the future,” a spokeswoman for the studio said. “Nevertheless, her social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”

On Tuesday [Feb. 9, 2021], Ms. Carano shared an Instagram story, or a post that disappears, that read in part: “most people today don’t realize that to get to the point where Nazi soldiers could easily round up thousands of Jews, the government first made their own neighbors hate them simply for being Jews. How is that any different from hating someone for their political views,” according to a report in Variety on Wednesday [Feb. 10, 2021].

For the full story, see:

Micah Maidenberg. “‘Mandalorian’ Drops Actress Over Her Posts.” The Wall Street Journal (Friday, Feb 12, 2021): B2.

(Note: bracketed dates added.)

(Note: the online version of the story has the date February 11, 2021, and has the title “‘The Mandalorian’ Drops Actress Gina Carano Over Social-Media Posts.”)

When Leftist James R. Flynn Disagreed, He Would Argue, Not Cancel

(p. B10) Dr. Jensen was best known for an article he published in 1969 claiming that the differences between Black and white Americans on I.Q. tests resulted from genetic differences between the races — and that programs that tried to improve Black educational outcomes, like Head Start, were bound to fail.

Dr. Flynn, a committed leftist who had once been a civil rights organizer in Kentucky, felt instinctively that Dr. Jensen was wrong, and he set out to prove it.  . . .

Like most researchers in his field, Dr. Jensen had assumed that intelligence was constant across generations, pointing to the relative stability of I.Q. tests over time as evidence. But Dr. Flynn noticed something that no one else had: Those tests were recalibrated every decade or so. When he looked at the raw, uncalibrated data over nearly 100 years, he found that I.Q. scores had gone up, dramatically.

“If you scored people 100 years ago against our norms, they would score a 70,” or borderline mentally disabled, he said later. “If you scored us against their norms, we would score 130” — borderline gifted.

. . .

“He surprised everyone, despite the fact that the field of intelligence research is intensely data-centric,” the Harvard psychologist Steven Pinker said in an interview. “This philosopher discovered a major phenomenon that everyone had missed.”

Though Dr. Flynn published his research in 1984, it was not until a decade later that it drew attention outside the narrow world of intelligence researchers.

The turning point came with the publication in 1994 of “The Bell Curve: Intelligence and Class Structure in American Life,” by Richard J. Herrnstein and Charles A. Murray, which argued that genes play a dominant role in shaping intelligence — a position that its fiercest critics called racist. In reviewing arguments for and against their position, the authors outlined Dr. Flynn’s research and even gave it a name: the Flynn effect.

. . .

“Jim was a paragon of intellectual curiosity and willingness to look at all the evidence,” Dr. Murray said in an interview. “He had almost a childlike curiosity, and I mean that in a good way.”

. . .

Unlike many academics, Dr. Flynn increased his output as he aged: Eleven of his 18 books appeared in his last decade, many of them going back to his earlier interests in political theory and free speech. He became increasingly focused on academic freedom and a critic of so-called cancel culture, especially on campus.

His last book, “In Defense of Free Speech: The University as Censor,” was rejected by its first publisher as incendiary — though, as Dr. Flynn pointed out, he was merely summarizing the positions of people he disagreed with, in order to make a larger point. Frustrated, he found a new publisher for the book, which he retitled “A Book Too Risky to Publish: Free Speech and Universities” (2019).

“Dad was always very respectful of people he disagreed with, and hated the trend of boycotting academics because of their views,” Professor Flynn, his son, said. “He very much thought that people should be able to express their views, and if you don’t agree, argue with them.”

For the full obituary, see:

Clay Risen. “James R. Flynn, Who Found We’re Getting Smarter, and Why, Dies at 86.” The New York Times (Wednesday, January 27, 2021): B10.

(Note: ellipses added.)

(Note: the online version of the obituary has the date Jan. 25, 2021, and has the title “James R. Flynn, Who Found We Are Getting Smarter, Dies at 86.”)

James R. Flynn’s last book was:

Flynn, James R. A Book Too Risky to Publish: Free Speech and Universities. Washington, DC: Academica Press, 2019.

Free Speech First Amendment Blocks Government from Punishing False Statements

The commentary quoted below defines “deepfakes” as “apparently real images or videos that show people doing or saying things they never did or said.” For the government to punish false statements, the government would first have to establish which statements are true and which are false. The Supreme Court has ruled that if it did so, the government would be violating free speech, which is protected by the First Amendment of the Constitution. Cass Sunstein, who wrote the commentary below, is a well-respected legal scholar who served as Administrator of the White House Office of Information and Regulatory Affairs in the Obama administration.

(p. C3) Can deepfakes, as such, be prohibited under American law? Almost certainly not. In U.S. v. Alvarez, decided in 2012, a badly divided Supreme Court held that the First Amendment prohibits the government from regulating speech simply because it is a lie.   . . .   The plurality opinion declared that “permitting the government to decree this speech to be a criminal offense…would endorse government authority to compile a list of subjects about which false statements are punishable. That governmental power has no clear limiting principle…. Were this law to be sustained, there could be an endless list of subjects the National Government or the States could single out.”

For the full commentary, see:

Cass R. Sunstein. “Can the Government Regulate Deepfakes?” The Wall Street Journal (Saturday, Jan. 9, 2021): C3.

(Note: the first ellipsis is added; the second and third are in the original.)

(Note: the online version of the commentary has the date January 7, 2021, and has the same title as the print version.)

Cass Sunstein’s commentary is adapted from his book:

Sunstein, Cass R. Liars: Falsehoods and Free Speech in an Age of Deception. New York: Oxford University Press, 2021.

Chinese Communists Plan Years in Prison for Lawyer-Journalist Who Documented Government Failings in Covid Crisis

(p. 15) In one video, during the lockdown in Wuhan, she filmed a hospital hallway lined with rolling beds, the patients hooked up to blue oxygen tanks. In another, she panned over a community health center, noting that a man said he was charged for a coronavirus test, even though residents believed the tests would be free.

At the time, Zhang Zhan, a 37-year-old former lawyer turned citizen journalist, embodied the Chinese people’s hunger for unfiltered information about the epidemic. Now, she has become a symbol of the government’s efforts to deny its early failings in the crisis and promote a victorious narrative instead.

Ms. Zhang abruptly stopped posting in May [2020], after several months of dispatches. The police later revealed that she had been arrested, accused of spreading lies. On Monday [Dec. 28, 2020], she will go to court, in the first known trial of a chronicler of China’s coronavirus crisis.

Ms. Zhang has continued to challenge the authorities from jail. Soon after her arrest, Ms. Zhang began a hunger strike, according to her lawyers. She has become gaunt and drained but has refused to eat, the lawyers said, maintaining that her strike is her form of protest against her unjust detention.

“She said she refuses to participate in the trial. She says it’s an insult,” Ren Quanniu, one of the lawyers, said after visiting Ms. Zhang in mid-December in Shanghai, where she is being held.

Ms. Zhang’s prosecution is part of the Chinese Communist Party’s continuing campaign to recast China’s handling of the outbreak as a succession of wise, triumphant moves by the government. Critics who have pointed to officials’ early missteps have been arrested, censored or threatened by police; three other citizen journalists disappeared from Wuhan before Ms. Zhang did, though none of the rest has been publicly charged.

Prosecutors accused Ms. Zhang of “picking quarrels and provoking trouble” — a frequent charge for government critics — and recommended between four and five years in prison.

For the full story, see:

Vivian Wang. “Wuhan Citizen Journalist Faces Trial for Posts in Pandemic.” The New York Times, First Section (Sunday, December 27, 2020): 15.

(Note: bracketed dates added.)

(Note: the online version of the story was updated Dec. 27, 2020, and has the title “She Chronicled China’s Crisis. Now She Is Accused of Spreading Lies.”)

Early Animation “Followed Only One Rule”: “Anything Goes”

(p. C5) The story of Disney Studios is a central strand in Mitenbuler’s narrative; Disney became the formidable force that the other animation studios would look toward, compete with and rail against. Max Fleischer, whose studio was responsible for the likes of Popeye and Betty Boop, groused that Disney’s “Snow White,” released in 1937, was “too arty.”  . . .  The wife of one of the Fleischer brothers, though, said they had better watch out: “Disney is doing art, and you guys are still slapping characters on the butt with sticks!”

But what if those slapped butts were part of what had made animation so revolutionary in the first place? Mitenbuler suggests as much, beginning “Wild Minds” with the early days of animation, in the first decades of the 20th century, when the technology of moving pictures was still in its infancy. Like the movie business in general, the field of animation contained few barriers to entry, and a number of Jewish immigrants shut out from other careers found they could make a decent living working for a studio or opening up their own. Even Disney, who grew up in the Midwest, was an outsider without any connections.

The work created in those early decades was often gleefully contemptuous of anything that aspired to good taste. Until the movie studios started self-censoring in the early ’30s, in a bid to avoid government regulation, animators typically followed only one rule to the letter: Anything goes.

For the full review, see:

Jennifer Szalai. “BOOKS OF THE TIMES: Ehh, What’s Animation, Doc?” The New York Times (Thursday, December 17, 2020): C5.

(Note: ellipsis added.)

(Note: the online version of the review has the date Dec. 16, 2020, and has the title “BOOKS OF THE TIMES: ‘Fantasia,’ ‘Snow White,’ Betty Boop, Popeye and the First Golden Age of Animation.”)

The book under review is:

Mitenbuler, Reid. Wild Minds: The Artists and Rivalries That Inspired the Golden Age of Animation. New York: Atlantic Monthly Press, 2020.

Black Cuban Dissident Rapper: “Donald Trump 2020! That’s My President”

(p. A12) HAVANA — In another era, the detention of a young Cuban dissident may have gone completely unnoticed. But when the rapper Denis Solís was arrested by the police, he did something that has only recently become possible on the island: He filmed the encounter on his cellphone and streamed it live on Facebook.

The stream last month prompted his friends in an artist collective to go on a hunger strike, which the police broke up after a week, arresting members of the group. But their detentions were also caught on cellphone videos and shared widely over social media, leading hundreds of artists and intellectuals to stage a demonstration outside the Culture Ministry the next day.

This swift mobilization of protesters was a rare instance of Cubans openly confronting their government — and a stark example of how having widespread access to the internet through cellphones is testing the power balance between the communist regime and its citizens.

. . .

In a country hammered by U.S. sanctions, the politics of some in the group have raised eyebrows. Mr. Solís is a die-hard Trump supporter: In the video he posted of his arrest, he screamed: “Donald Trump 2020! That’s my president.”

For the full story, see:

Ed Augustin, Natalie Kitroeff and Frances Robles. “‘An Awakening’: Cubans’ Access to the Internet Fosters Dissent.” The New York Times (Thursday, December 10, 2020): A12.

(Note: ellipsis added.)

(Note: the online version of the story was updated Jan. 11, 2021, and has the title “‘On Social Media, There Are Thousands’: In Cuba, Internet Fuels Rare Protests.”)