Free Speech – Page 21 – artdiamondblog.com

Disney’s Mulan Movie Credits Chinese Communists Who Force Uighur Muslims Into Prison Camps

(p. A10) Disney’s live-action remake of “Mulan” has drawn a fresh wave of criticism for being filmed partly in Xinjiang, the region in China where Uighur Muslims have been detained in mass internment camps.

The outcry, which has spread to include U.S. lawmakers, was the latest example of how the new film, released on Disney+ over the weekend, has become a magnet for anger over the Chinese Communist Party’s policies promoting nationalism and ethnic Han chauvinism.

. . .

The film was already coming under fire months ago, facing calls for a boycott by supporters of the Hong Kong antigovernment protests after the movie’s star, Liu Yifei, said she backed the city’s police, who have been criticized for their use of force against pro-democracy demonstrators.

Last month, as Disney ramped up promotion for the new film, supporters of the Hong Kong protests anointed Agnes Chow, a prominent democracy activist who was recently arrested under the territory’s new national security law, as their own, “real” Mulan.

Rayhan Asat, an ethnic Uighur lawyer in Washington whose younger brother, Ekpar Asat, has been imprisoned in Xinjiang, said in an interview that Disney giving credit to Xinjiang government agencies “runs counter to the ideals of those in the artistic, business and entertainment communities.”

“Devastatingly, Disney’s support amounts to collaboration and enables repression,” she added. “Those who claim to champion freedom in the world cannot afford to ignore such complicity.”

. . .

Last year, Mr. Pence criticized American companies for trying to silence speech in order to maintain access to the Chinese market. He accused Nike of checking its “conscience at the door” and owners and players in the N.B.A. of “siding with the Chinese Communist Party” by suppressing support for the pro-democracy movement in Hong Kong.

In July [2020], an ESPN investigation described reports of abuse of young players at the National Basketball Association’s player-development training camps in China, including in Xinjiang. After the investigation was published, the N.B.A. acknowledged for the first time that it had ended its relationship with the Xinjiang academy more than a year earlier, but declined to say whether human rights had been a factor.

On Monday, calls to boycott “Mulan” began growing on social media. Among the critics was Joshua Wong, a prominent Hong Kong pro-democracy activist, who accused Disney of bowing to pressure from Beijing. Supporters in Thailand and Taiwan had also urged a boycott of the movie, citing concerns about China’s growing influence in the region.

For the full story, see:

Amy Qin and Edward Wong. “Calls Grow to Boycott ‘Mulan’ Over China’s Treatment of Uighur Muslims.” The New York Times (Wednesday, September 9, 2020): A10.

(Note: ellipses, and bracketed year, added.)

(Note: the online version of the story has the date Sept. 8, 2020, and has the title “Why Calls to Boycott ‘Mulan’ Over Concerns About China Are Growing.” Where the online and print versions differ, the passages above follow the print version.)

“She Is Very Brave and Dedicated”

(p. A10) MOSCOW — Maria Kolesnikova, a prominent opposition leader in Belarus who vanished on Monday [Sept. 7, 2020] in what her supporters said was a kidnapping by security agents, reappeared overnight at her country’s southern border with Ukraine.

But an elaborate operation aimed at forcing her to leave Belarus came unstuck, according to opposition activists who were at the border with Ms. Kolesnikova when she destroyed her passport to make it impossible for Ukraine to admit her.

At a news conference in Kyiv, the capital of Ukraine, on Tuesday evening, two Belarusian activists, Anton Rodnenkov and Ivan Kravtsov, told how they had been seized in Minsk, the capital of Belarus, on Monday and taken to the border with Ukraine, along with Ms. Kolesnikova, by masked security agents who warned that if they did not leave the country they would be jailed indefinitely.

After passing through a Belarusian border checkpoint, they said, Ms. Kolesnikova grabbed her passport and started shouting that she was not going anywhere. She tore the passport into small pieces and threw them out of the window.

Mr. Rodnenkov and Mr. Kravtsov continued onto Ukraine without her. “She climbed out of the car and started walking back toward the Belarus border,” Mr. Kravtsov said. “She is very brave and dedicated to what she is doing.”

. . .

President Vladimir V. Putin of Russia, who has never warmed to Mr. Lukashenko but still sees him as an important bulwark against the West, announced at the end of August that he had formed a reserve force of Russian security officers to assist Belarus if “the situation gets out of control.”

In another sign of close collaboration between the two countries, Belarus announced on Tuesday that it would hold military exercises later this week with troops from Russia and Serbia. The exercises, called Slavic Brotherhood 2020, underscore an important propaganda point for Mr. Lukashenko, suggesting that he is not alone in his struggle for political survival but a sentinel for broader Slavic interests against the West.

For the full story, see:

Andrew Higgins. “Opposition Leader in Belarus Avoids Expulsion, Dramatically.” The New York Times (Wednesday, September 9, 2020): A10.

(Note: ellipsis, and bracketed date, added.)

(Note: the online version of the story has the date Sept. 8, 2020, and has the title “Opposition Leader in Belarus Averts Expulsion by Tearing Up Passport.”)

Chinese Communist Response to Covid-19 “Shows an Increasingly Nervous, Fragile Country”

(p. A7) LONDON — In January [2020], the Chinese city of Wuhan became the first in the world to undergo a lockdown to fight the coronavirus pandemic. In many ways this crucial period remains a mystery, with few images escaping the censors’ grasp.

A new film by the Chinese artist and activist Ai Weiwei helps fill in some of that missing history. Although now living in Europe, Ai remotely directed dozens of volunteers across China to create “Coronation,” a portrait of Wuhan’s draconian lockdown — and of a country able to mobilize huge resources, if at great human cost.

. . .

The overall impression, especially in the film’s first half-hour, is one of awesome efficiency. Crews quickly bolt prefabricated rooms together, I.C.U. machines beep and purr. The new party members are sworn in with their right fists raised up and the crematory laborers work so hard that they complain that their hands ache.

As the film progresses, the human costs become more apparent. A volunteer worker whose job is finished is not allowed to leave the quarantine zone, so he sleeps in his car in a parking garage. Mourners wail inconsolably at a crematory, and a man fights to be allowed to collect his father’s urn without government officials present — something authorities do not permit because they are afraid the mourning will turn to anger at the government for having allowed the virus to spin out of control.

. . .

The film is available in the United States on Alamo on Demand and in other parts of the world on Vimeo on Demand. Ai said he had hoped to show it first at a film festival, but festivals in New York, Toronto and Venice, after first expressing interest, turned him down. He said that Amazon and Netflix also rejected the movie.

He says his impression is that this was because many of these festivals and companies want to do business in China and so avoid topics that might anger Beijing, something other Chinese directors say is common.

. . .

Rather than providing the world with a model for how to govern, China’s response to the virus shows an increasingly nervous, fragile country, he said. In the scenes where mourners collect ashes, for example, Ai said viewers should note that all the people in white suits and full personal protective gear lurking in the background are members of state organizations trying to make sure that a lid is kept on the grief.

For the full story, see:

Ian Johnson. “‘This Is About China’: Artist Shines a Light on What Wuhan Went Through.” The New York Times, First Section (Sunday, August 23, 2020): A7.

(Note: ellipses, and bracketed year, added.)

(Note: the online version of the story has the date Aug. 21, 2020, and has the title “From Ai Weiwei, a Portrait of Wuhan’s Draconian Covid Lockdown.”)

Reuters Kowtows to Beijing Communists By Erasing Tiananmen Square Stories

(p. B3) A financial-information company partly owned by the news organization Thomson Reuters removed articles related to the June 4, 1989, Tiananmen Square massacre from the feeds of its data terminals in China last week. The move came under pressure from the Chinese government, Reuters reported Monday [June 3, 2019].

The data firm that complied with the censorship demands, Refinitiv, is Reuters’s biggest customer. It prevented some articles that included mentions of the pro-democracy demonstrations from appearing on its Eikon software and mobile app in China.

In a statement, Refinitiv pointed to legal realities in China, whose government previously blocked websites from publishing stories it deemed politically sensitive. The Chinese authorities have also denied visas to journalists working for news outlets that have published articles that were critical of the nation’s leaders.

For the full story, see:

Marc Tracy. “Reuters Partner Hides Tiananmen News.” The New York Times (Wednesday, June 5, 2019): B3.

(Note: bracketed date added.)

(Note: the online version of the story has the date June 4, 2019, and has the title “In China, a Reuters Partner Blocks Articles on the Tiananmen Square Massacre.”)

China’s “Great Firewall” Is the New Symbol of a New Cold War

(p. A11) At the United Nations Humans Rights Council in Geneva, 53 nations — from Belarus to Zimbabwe — signed a statement supporting China’s new security law for Hong Kong. Only 27 nations on the council criticized it, most of them European democracies, along with Japan, Australia and New Zealand. Such blocs would not have been unfamiliar at the height of the Cold War.

China has also wielded its vast economic power as a tool of political coercion, cutting off imports of beef and barley from Australia because its government called for an international investigation into the origins of the pandemic. On Tuesday [July 14, 2020], Beijing said it would sanction the American aerospace manufacturer Lockheed Martin over recent weapons sales to Taiwan.

. . .

A backlash against Beijing appears to be growing. The tensions are particularly clear in tech, where China has sought to compete with the world in cutting-edge technologies like artificial intelligence and microchips, while harshly restricting what people can read, watch or listen to inside the country.

If the Berlin Wall was the physical symbol of the first Cold War, the Great Firewall could well be the virtual symbol of the new one.

What began as a divide in cyberspace to insulate Chinese citizens from views not authorized by the Communist Party has now proved to be a prescient indicator of the deeper fissures between China and much of the Western world.

For the full story, see:

Steven Lee Myers and Paul Mozur. “Caught in ‘Ideological Spiral,’ U.S. and China Drift Toward a New Cold War.” The New York Times (Wednesday, July 15, 2020): A11.

(Note: ellipsis added.)

(Note: the online version of the story was updated July 23 [sic], 2020, and has the title “Caught in ‘Ideological Spiral,’ U.S. and China Drift Toward Cold War.”)

“There’s No Wolf Warrior Coming to” Rescue the “Little Pinks”

(p. B1) When China came under attack online, Mr. Liu was one of the legions of Chinese students studying abroad who posted in its defense. He condemned the pro-democracy protests in Hong Kong, which he saw as an effort to split a uniting China. After President Trump called the coronavirus the “Chinese virus,” Mr. Liu turned to Twitter to correct those who used the term.

“I was a real little pink,” he said, using a somewhat derogatory term for the young, Communist-red Chinese nationalists who use the internet as a patriotic battleground to fight those who disparage China.

Then Mr. Liu, 21, discovered that the country he had long defended didn’t want him back.

. . .

Mr. Liu and many other countless Chinese people stranded overseas are, for the first time, running afoul of one of their country’s bedrock political prin-(p. B5)ciples: National interests come before an individual’s needs.

. . .

“Can you imagine what it was like when one day someone told you what you believed firmly wasn’t actually true?” Mr. Liu said.

. . .

“In the real world, there’s no wolf warrior coming to my rescue,” a Chinese student in Japan posted on Weibo.

. . .

While the students were outspoken in their anonymous social media comments, they were more reserved in interviews. Mr. Liu, for example, focused his frustration on China’s aviation regulator, which recently backed down after U.S. officials challenged its limits on foreign airlines. Ms. Leng, of Troy University, said she understood the regulator’s motivations.

But some admitted to what might be a new feeling: fear. The student from Japan who invoked “Wolf Warrior 2” said she feared retribution by the Chinese government if she spoke to me.

Then she invited me into a WeChat group of nearly 500 Chinese students exchanging information about flights, visas, schools and frustrations. They told one another not to give news interviews, not even to the Chinese media, for fear of government punishment.

When they sometimes couldn’t help curse the government or the policy, someone would quickly warn that they had better shut up or risk losing their WeChat accounts or even being invited for a chat once they’re back in China.

One student, after being warned, posted an emoticon of the 12 core socialist values that every Chinese citizen is supposed to live by, posting it five times in a row, as if pledging his loyalty to the surveillance state.

“I grew up under the red flag and received the red education,” Mr. Liu said to me. “But what can I say now?”

For the full story, see:

Li Yuan. “THE NEW NEW WORLD; Little Pinks’ Rethink China After Being Trapped Abroad.” The New York Times (Tuesday, June 30, 2020): B1 & B5.

(Note: ellipses added.)

(Note: the online version of the story has the date June 24, 2020, and has the title “THE NEW NEW WORLD; Trapped Abroad, China’s ‘Little Pinks’ Rethink Their Country.”)

Agnes Chow Is “the Real Mulan”

The first “Mulan” below is the Disney actress Liu Yifei, who has expressed support for the suppression of freedom in Hong Kong. The third “Mulan” below is Agnes Chow, the 23 year-old Hong Kong freedom activist who the Beijing communists arrested under their new Hong Kong “security” law.

(p. A10) HONG KONG — Soon after one of Hong Kong’s best-known democracy activists was arrested this week under the national security law imposed on the city by the Chinese government, supporters turned her into a “Mulan” meme.

The social media storm around the activist, Agnes Chow, coincided with Disney’s online campaign for its upcoming movie “Mulan,” about the Chinese folk heroine who disguises herself as a man to stand in for her ailing father in the army. Disney’s slogan: “The legend arrives.”

Supporters on Twitter quickly anointed Ms. Chow, 23, “the real Mulan.” One meme featured three images, each accompanied by text: the “Mulan” star Liu Yifei (“I want the real Mulan”); the cartoon version of Mulan from Disney’s animated 1998 film (“I said the real Mulan”); and Ms. Chow (“Perfection”).

. . .

Ms. Chow, a former leader of the now-disbanded pro-democracy group Demosisto, was among 10 people arrested on Monday [August 10, 2020] on suspicion of violating the security law. She was detained hours after 200 police officers converged on the newsroom of Apple Daily, a publication owned by the media mogul Jimmy Lai, who is a vocal critic of the Chinese government. He, his two sons and other executives from his company were arrested.

. . .

Ms. Liu, the Chinese actress who plays Mulan in the movie, drew a backlash last August when she sided with the Hong Kong police against the protesters on the microblogging platform Weibo, where she had nearly 66 million followers at the time. The police have been accused of excessive force in dealing with the protests.

When Ms. Liu shared the quote “I support the Hong Kong police, you all can beat me up now,” adding a heart and a bicep emoji, the blowback was swift, with supporters of the protests calling for a boycott of “Mulan.”

For the full story, see:

Elaine Yu. “Supporters of Activist in Hong Kong Draft Mulan.” The New York Times (Friday, August 14, 2020): A10.

(Note: ellipses added.)

(Note: the online version of the story has the date August 13, 2020, and has the title “After Agnes Chow Is Arrested in Hong Kong, a ‘Mulan’ Meme Is Born.” Where there are slight differences in wording between the versions in the passages quoted, the online version appears above. The online version does not list an author. I cite James Barron, who is listed as the author in the print version.)

“Hell No”: Goya’s Bob Unanue, When Asked to Apologize

(p. A15) It’s come to this: They want to cancel black beans.

The target is Goya Foods, America’s largest Hispanic-owned food company. Within hours after its CEO, Bob Unanue, said at a Rose Garden event that America was “blessed” to have “a leader like President Trump who is a builder,” #BoycottGoya started trending on Twitter. Naturally Rep. Alexandria Ocasio-Cortez (D., N.Y.) jumped out in front.

“Oh look, it’s the sound of me Googling ‘how to make your own adobo,’ ” the Queens congresswoman tweeted. That’s a popular Goya seasoning she wants people to go without. But Goya’s CEO isn’t backing down. When asked the next day on Fox News if he’d apologize, Mr. Unanue was succinct: “Hell no.”

For the full commentary, see:

William McGurn. “MAIN STREET; AOC’s Hill of Beans.” The Wall Street Journal (Tuesday, July 14, 2020): A15.

(Note: the online version of the commentary has the date July 13, 2020, and has the same title as the print version.)

“The Last Bastion of Freedom in the Chinese-Speaking World”

(p. A14) The new security rules for Hong Kong that China passed this week — without input from the city’s Beijing-backed leadership — have made Mr. Xi’s promise of autonomy under the “one country, two systems” framework seem hollow. And it has raised fears that China will move more aggressively to bring Taiwan, too, under its control.

. . .

In recent weeks, China has buzzed Taiwan’s territorial airspace almost daily. It accused Taiwan’s president, Tsai Ing-wen, of carrying out a “separatist plot” by speaking at an international democracy forum. It has warned the Taiwan government to stop providing shelter to Hong Kong political activists, who are flocking to what they call the last bastion of freedom in the Chinese-speaking world.

For the full story, see:

Javier C. Hernández and Steven Lee Myers. “Taiwan Sees Ominous Signs for Its Own Autonomy.” The New York Times (Thursday, July 2, 2020): A14-A15.

(Note: ellipsis added.)

(Note: the online version of the story has the date July 1, 2020, and has the title “As China Strengthens Grip on Hong Kong, Taiwan Sees a Threat.”)

Politically Incorrect Research Is Cancelled from Proceedings of the National Academy of Science

(p. A15) Psychologists Joseph Cesario of Michigan State and David Johnson of the University of Maryland analyzed 917 fatal police shootings of civilians from 2015 to test whether the race of the officer or the civilian predicted fatal police shootings. Neither did. Once “race specific rates of violent crime” are taken into account, the authors found, there are no disparities among those fatally shot by the police. These findings accord with decades of research showing that civilian behavior is the greatest influence on police behavior.

. . .

My June 3 [2020] Journal op-ed quoted the PNAS article’s conclusion verbatim. It set off a firestorm at Michigan State. The university’s Graduate Employees Union pressured the MSU press office to apologize for the “harm it caused” by mentioning my article in a newsletter. The union targeted physicist Steve Hsu, who had approved funding for Mr. Cesario’s research. MSU sacked Mr. Hsu from his administrative position. PNAS editorialized that Messrs. Cesario and Johnson had “poorly framed” their article—the one that got through the journal’s three levels of editorial and peer review.

Mr. Cesario told this page that Mr. Hsu’s dismissal could narrow the “kinds of topics people can talk about, or what kinds of conclusions people can come to.” Now he and Mr. Johnson have themselves jeopardized the possibility of politically neutral scholarship. On Monday they retracted their paper. They say they stand behind its conclusion and statistical approach but complain about its “misuse,” specifically mentioning my op-eds.

The authors don’t say how I misused their work.

. . .

This retraction bodes ill for the development of knowledge. If scientists must disavow their findings because they challenge reigning orthodoxies, then those orthodoxies will prevail even when they are wrong.

For the full commentary, see:

Heather Mac Donald. “I Cited Their Study, So They Disavowed It.” The Wall Street Journal (Thursday, July 9, 2020): A15.

(Note: ellipses, and bracketed year, added.)

(Note: the online version of the commentary has the date July 8, 2020, and has the same title as the print version.)

The PNAS article co-authored by Cesario, Johnson, and others is:

Johnson, David J., Trevor Tress, Nicole Burkel, Carley Taylor, and Joseph Cesario. “Officer Characteristics and Racial Disparities in Fatal Officer-Involved Shootings.” Proceedings of the National Academy of Sciences 116, no. 32 (Aug. 6, 2019): 15877-82.

Diverse Distinguished Intellectuals Defend Free Speech

(p. A1) The killing of George Floyd has brought an intense moment of racial reckoning in the United States. As protests spread across the country, they have been accompanied by open letters calling for — and promising — change at white-dominated institutions across the arts and academia.

But on Tuesday, a different type of letter appeared online. Titled “A Letter on Justice and Open Debate,” and signed by 153 prominent artists and intellectuals, it began with an acknowledgment of “powerful protests for racial and social justice” before pivoting to a warning against an “intolerant climate” engulfing the culture.

“The free exchange of information and ideas, the lifeblood of a liberal society, is daily becoming more constricted,” the letter declared, citing “an intolerance of opposing views, a vogue for public shaming and ostracism and the tendency to dissolve complex policy issues in a blinding moral certainty.”

“We refuse any false choice between justice and freedom, which cannot exist without each other,” it continues. “As writers we need a culture that leaves us room for experimentation, risk taking, and even mistakes.”

The letter, . . . was published by Harper’s Magazine and will also appear in several leading international publications, . . .

. . .

(p. A19) The debate over diversity, free expression and the limits of acceptable opinion is a long-burning one. But the letter, which was spearheaded by the writer Thomas Chatterton Williams, began taking shape about a month ago, as part of a long-running conversation about these issues with a small group of writers including the historian David Greenberg, the writer Mark Lilla and the journalists Robert Worth and George Packer.

. . .

“We’re not just a bunch of old white guys sitting around writing this letter,” Mr. Williams, who is African-American, said. “It includes plenty of Black thinkers, Muslim thinkers, Jewish thinkers, people who are trans and gay, old and young, right wing and left wing.” Continue reading “Diverse Distinguished Intellectuals Defend Free Speech”