Communist China’s “Greatest Folly”: Renewable Energy Dam

 

  "Liu Jun leaving his home in Miaohe, China, near the Three Gorges Dam.  All of the village’s residents are being relocated."  Source of caption:  p. A1 of print version of the NYT article quoted and cited below.  Source of photo:  online version of the NYT article quoted and cited below. 

 

(p. A1)  JIANMIN VILLAGE, China — Last year, Chinese officials celebrated the completion of the Three Gorges Dam by releasing a list of 10 world records. As in: The Three Gorges is the world’s biggest dam, biggest power plant and biggest consumer of dirt, stone, concrete and steel. Ever. Even the project’s official tally of 1.13 million displaced people made the list as record No. 10.

Today, the Communist Party is hoping the dam does not become China’s biggest folly. In recent weeks, Chinese officials have admitted that the dam was spawning environmental problems like water pollution and landslides that could become severe. Equally startling, officials want to begin a new relocation program that would be bigger than the first.

The rising controversy makes it easy to overlook what could have been listed as world record No. 11: The Three Gorges Dam is the world’s biggest man-made producer of electricity from renewable energy.

. . .

(p. A12)  The Communist Party leaders who broke ground on the Three Gorges project in 1994 had promised that China could build the world’s biggest dam, manage the world’s biggest human resettlement and also protect the environment.

. . .

(p. A13)  In the isolated mountain villages above the reservoir, farmers have heard nothing about a new resettlement plan. For many farmers, the immediate concern is the land beneath their feet. Landslides are striking different hillsides as the rising water places more pressure on the shoreline, local officials say.  . . .

. . .

Around daybreak on June 22, Lu Youbing awoke to the screams of her brother-in-law and the sickening sensation of the earth collapsing. Her mountain farmhouse in Jianmin Village buckled as a landslide swept it downhill. In all, 20 homes were demolished. Five months later, Ms. Lu is living in a tent, fending off rats and wondering where her family can go.

“We have nothing left,” she said. “Not a single thing.”

Winter is approaching, and she is trying to block out cold air — and rats — by pinning down the tent flaps with rocks. Villagers have been told that more landslides are possible. Ms. Lu lives with her second husband and their two children. They are too poor to buy an apartment in the city or to build a new home on higher ground. Local officials gave them the tent. Villagers have donated clothes.

The tents are pitched on the only available flat land — a terrace with a monument celebrating efforts by local officials to improve the environment.

“We don’t know about winter,” she said. “This is the only option we have. What else can we do?”

 

For the full story, see:

JIM YARDLEY.  "At China’s Dams, Problems Rise With Water."   The New York Times  (Mon., November 19, 2007):  A1, A12-A13. 

(Note:  ellipses added.)

(Note:  online the title of the article is "Chinese Dam Projects Criticized for Their Human Costs.")

 

   "The Three Gorges Dam is projected as an anchor in a string of hydropower “mega-bases” planned for the middle and upper reaches of the Yangtze River."  Source of caption and photo:  online version of the NYT article quoted and cited above.

 

Pulling Teeth Slowly

 

   Source of book image:  http://mitpress.mit.edu/images/products/books/0262113023-f30.jpg

 

Many years ago, I read János Kornai’s The Road to the Free Market, which gave Kornai’s advice on how Eastern Europe could best make the transition from communism to the free market.  What I remember most from the book, is his discussion of whether it is more humane for the transition to be quick or gradual.  He answers the question by asking another:  if you need to have a tooth pulled, is it more humane for it to be pulled quickly or gradually?

 

(p. B15) . . .,  Mr. Kornai’s books and lectures in Europe, North America and Asia established him as one of the leading scholars of socialist economics and an expert on the difficult transitions that many countries face when they move from socialism to a more democratic and capitalist system.   . . .

At one point in 1974, under the more relaxed rule of János Kádár, when Hungary was the "most cheerful barrack in the camp," Mr. Kornai and his wife decided to build their own home. Over the course of several months, they personally confronted the corruption, endemic shortages and shoddy construction materials that were so common in Eastern Europe. A year later, on a trip to India, Mr. Kornai was faced by idealistic young Maoists whose concern for the desperately poor reinforced their support for socialism. Mr. Kornai responded to them by arguing, as he puts it here, that "rationing systems that spread misery equally may assuage feelings of injustice for a while, but they will not solve anything."

 

For the full review, see:

JOSHUA RUBENSTEIN.  "BOOKS; Critic Behind the Curtain."  The Wall Street Journal  (Tues., January 30, 2007):  B15.

(Note: ellipses added.)

 

The book reviewed, is: 

János Kornai.  By Force of Thought.  (MIT Press, 461 pages, $40)

 

The earlier book by Kornai, that I read and liked, is:

Kornai, Janos. The Road to a Free Economy: Shifting from a Socialist System, the Example of Hungary. New York: W.W. Norton, 1990.

 

Helping Russians Remember the Truth About Communism

 

BalabanovAlexeiRussianDirector.jpg  Some of the crew of Gruz 200, including the director Alexei Balabanov, who is second from the left.  Source of the photo:  online version of the WSJ article cited below.

 

(p. B1)  The film is named "Gruz 200" (Cargo 200) after the zinc-lined coffins in which dead Soviet soldiers were shipped home from the 1979-89 war in Afghanistan. Messrs. Balabanov and Selyanov say they made the movie as an antidote to what they describe as rising nostalgia in Russia for the Soviet period.

"I show what filth we lived in," said Mr. Balabanov, a director sometimes described as Russia’s Quentin Tarantino. "Society was sick from 1917 onwards," he added, referring to the year the Bolsheviks took power.

The film — a graphically violent story of the sexual abuse of a teenage girl at the hands of a sadistic Soviet policeman — paints a relentlessly negative picture of a time that many Russians recall with warm nostalgia. The filmmakers hope to release the movie overseas but haven’t yet signed up a foreign distributor.

Russian President Vladimir Putin, who restored Russia’s Soviet-era national anthem, has called the 1991 collapse of the Soviet Union "the greatest geopolitical catastrophe of the 20th century," and polls show a majority of Russians regard the period as one of relative prosperity, stability and national pride. 

. . .

(p. B2)  Mr. Balabanov says "Gruz 200" is based on his own experiences while traveling across the Soviet Union in the 1980s, as well as on stories he heard second-hand.

Mr. Selyanov says he believes it is his "duty" to remind people of what the Soviet Union was really like and combat the rising warmth for the period. "We have to fight this nostalgia," the producer says.

But the film has been dogged by controversy since even before it opened. Mr. Balabanov says three prominent actors who had played in his previous films refused parts once they read the script. "They were scared," he said. The director was forced to use largely unknown actors.

. . .

Russian TV networks, controlled by the state, have balked at even late-night showings — critical to financial success for Russian movies.

"We don’t have the courage to put something like this on the air," said Vladimir Kulistikov, head of the No. 3 NTV network, in a statement.  

 

For the full story, see: 

ANDREW OSBORN.  "From Russia, Without Love: New Movie Slams Soviet Union."  The Wall Street Journal By  (Thurs., June 21, 2007):  B1 & B2.

(Note:  ellipses added.)

 

Gruz200PoliceCaptain.jpg   The sadistic police captain is portrayed by Alexei Poluyan.  Source of the photo:  online version of the WSJ article cited above.

 

The End of “the Road to Socialism”

 

     The frenetic pace of productive work at a Chavez socialist farm cooperative in Santa Barbara, Venezuela.  Souce of photo:  online version of the NYT article quoted and cited below. 

 

(p. A1)  Mr. Chávez’s supporters have formed thousands of state-financed cooperatives to wrest farms and cattle ranches from private owners.  Landowners say compensation is hard to obtain.  Local officials describe the land seizures as paving stones on “the road to socialism.”

. . .

(p. A10)  But while some of the newly settled farming communities are euphoric, landowners are jittery.  Economists say the land reform may have the opposite effect of what Mr. Chavez intends, and make the country more dependent on imported food than before.

The uncertainties and disruptions of the land seizures have led to lower investment by some farmers.  Production of some foods has been relatively flat, adding to shortages of items like sugar, economists say.  

 

For the full story, see: 

SIMON ROMERO.  "Clash of Hope and Fear As Venezuela Seizes Land."  The New York Times  (Thurs., May 17, 2007):  A1 & A10.

(Note: ellipsis added.)

 

Chinese Restaurant Entrepreneur: “A Citizen’s Legal Property Is Not to Be Encroached Upon”

 

CHONGQING, China, March 23 — For weeks the confrontation drew attention from people all across China, as a simple homeowner stared down the forces of large-scale redevelopment that are sweeping this country, blocking the preparation of a gigantic construction site by an act of sheer will.

Chinese bloggers were the first to spread the news, of a house perched atop a tall, thimble-shaped piece of land like Mont-Saint-Michel in northern France, in the middle of a vast excavation.

Newspapers dived in next, followed by national television. Then, in a way that is common in China whenever an event begins to take on hints of political overtones, the story virtually disappeared from the news media after the government, bloggers here said, decreed that the subject was suddenly out of bounds.

. . .

What drove interest in the Chongqing case was the uncanny ability of the homeowner to hold out for so long. Stories are legion in Chinese cities of the arrest or even beating of people who protest too vigorously against their eviction and relocation. In one often-heard twist, holdouts are summoned to the local police station and return home only to find their house already demolished. How did this owner, a woman no less, manage? Millions wondered.

Part of the answer, which on meeting her takes only a moment to discover, is that Wu Ping is anything but an ordinary woman. With her dramatic lock of hair precisely combed and pinned in the back, a form-flattering bright red coat, high cheekbones and wide, excited eyes, the tall, 49-year-old restaurant entrepreneur knows how to attract attention — a potent weapon in China’s new media age, in which people try to use public opinion and appeals to the national image to influence the authorities. 

. . .  

“I have more faith than others,” she began. “I believe that this is my legal property, and if I cannot protect my own rights, it makes a mockery of the property law just passed. In a democratic and lawful society a person has the legal right to manage one’s own property.”

Tian Yihang, a local college student, spoke glowingly of her in an interview at the monorail station. “This is a peculiar situation,” he said, with a bit of understatement. “I admire the owner for being so persistent in her principles. In China such things shock the common mind.”

. . .  

With the street so choked with onlookers that traffic began to back up, Ms. Wu’s brother, Wu Jian, began waving a newspaper above the crowd, pointing to pictures of Ms. Wu’s husband, a local martial arts champion, who was scheduled to appear in a highly publicized tournament that evening. “He’s going into our building and will plant a flag there,” Mr. Wu announced.

Moments later, as the crowd began to thin, a Chinese flag appeared on the roof with a hand-painted banner that read: “A citizen’s legal property is not to be encroached on.”

Asked how his brother-in-law had managed to get inside the locked site and climb the escarpment on which the house is perched, he said with a wink, “Magic.”  

 

For the full story, see: 

HOWARD W. FRENCH.  "CHONGQING JOURNAL; Homeowner Stares Down Wreckers, at Least for a While."  The New York Times  (Tues., March 27, 2007):  A4.

(Note:  ellipses added.)

 

ChinaHomeDefenderWuPing.jpg ChinaChonqingMap.jpg   On left, Wu Ping, with her tall brother in the background.  On right, a map showing the location of Chongqing in China.  Source of photo and map:  online version of the NYT article cited above.

 

Communist Dictator Chavez Destroys Freedom of the Press in Venezuela

 

   Supporters of freedom in Venezuela protesting communist dictator Chavez’s shutting down the television network that dared to criticize him.  Source of photo:  online version of the NYT article that is quoted and cited below. 

 

My Wabash College economics professor, Ben Rogge, used to say that political freedom ultimately depended on economic freedom:  how could you depend on a socialist government to provide a printing press to those who seek to undermine socialism?

(In his article "The Case for Economic Freedom" published in his Can Capitalism Survive? Rogge gives credit for the argument to his friend Milton Friedman in his Capitalism and Freedom, which was based on lectures given at Wabash.)

Well, if there is a heaven, I can imagine Rogge there, reading the following passages, and reacting with his sad, knowing, half-smile.

 

(p. A3)  CARACAS, Venezuela, May 27 — With little more than an hour to go late Sunday until this country’s oldest television network was to be taken off the air after 53 years of broadcasting, the police dispersed thousands of protesters by firing tear gas into demonstrations against the measure.

. . .

The president has defended the RCTV decision, saying that the network supported a coup that briefly removed him from office in 2002.

RCTV’s news programs regularly deride Mr. Chávez’s Socialist-inspired transformation of Venezuelan society. “RCTV lacks respect for the Venezuelan people,” said Onán Mauricio Aristigueta, 46, a messenger at the National Assembly who showed up to support the president.

Mr. Chávez has left untouched the operations of other private broadcasters who were also critical of him at the time of the 2002 coup but who have changed editorial policies to stop criticizing his government. That has led Mr. Chávez’s critics to claim that the move to allow RCTV’s license to expire amounts to a stifling of dissent in the news media.

“The other channels don’t say anything,” said Elisa Parejo, 69, an actress who was one of RCTV’s first soap opera stars. “What we’re living in Venezuela is a monstrosity,” she said at RCTV’s headquarters on Sunday, as employees gathered for an on-air remembrance of the network’s history. “It is a dictatorship.”

 

For the full story, see: 

SIMON ROMERO.  "Dueling Protests Over Shutdown of Venezuela TV Station."  The New York Times  (Mon., May 28, 2007):  A3.

(Note: the excerpts above are from the updated online version of the article that appeared online under the title: "Venezuela Police Repel Protests Over TV Network’s Closing.")

(Note:  ellipsis added.)

 

On 5/28/07 CNN broadcast a Harris Whitbeck report on students protesting the Chavez censorship under the title "Hear No Evil, See No Evil."

 

   Monica Herrero protests Chavez closing down the television network that dared to criticize his government.  Source of photo:  screen capture from the CNN report at http://www.cnn.com/video/partners/clickability/index.html?url=/video/world/2007/05/28/whitbeck.chavez.tv.affl

 

Communist Hugo Chávez: Is He Loco to Fight Inflation with the Locha?

 

   Hugo Chávez expects to end inflation by bringing back the "locha" 12 ½-cent coin (held in this picture by coin dealer Antonio Allesandrini).  Source of photo:  online version of the NYT article quoted and cited below.   

 

(p. 8)  CARACAS, Venezuela, March 17 — Of all the startling measures announced by President Hugo Chávez this year, from the nationalization of major utilities to threats of imprisonment for violators of price controls, none have baffled economists quite like his venture into monetary reform.

First, Mr. Chávez said the authorities would remove three zeroes from the denomination of the currency, the bolívar. Then he said the new bolívar, worth 1,000 old bolívars, would be renamed the “bolívar fuerte,” or strong bolívar.

Finally, at the behest of Mr. Chávez, the central bank said this week that it would reintroduce a 12.5-cent coin, a symbol of Venezuela’s prosperity in the 1960s and 1970s before freewheeling oil booms ended in abrupt devaluations, after three decades out of circulation.

Mr. Chávez champions these ideas, which will take effect in January, as ways to combat inflation, which in recent weeks crept up to 20 percent, the highest in Latin America.  . . .

. . .

“We’re witnessing policy in the form of window dressing, all carried out at the whim of one man whose strong point is not economics,” said Hugo Faría, an economist at the Institute of Higher Management Studies, a private business school here. “Anyone who sees a 12 ½-cent coin as a remedy for this country’s problems isn’t thinking too clearly.”

 

For the full story, see: 

SIMON ROMERO.  "Venezuelan Lender Sets Siights on Currency Valuation."  The New York Times, Section 1  (Sun., March 18, 2007):  8.

(Note:  ellipses added.)

(Note:  the online version of the title is the slightly different, "Venezuela to Give Currency New Name and Numbers.")

 

Reuniting the Victims of Communism

RussianSiblingsReunited.jpg   "Sergei and Pyotr Leontiev are reunited on the Russian TV show, ‘Zhdi Menya.’"  Source of the caption and photo:  online version of the WSJ article cited below.

 

(p. A1)  MOSCOW — In a television studio here, two old brothers hug and weep — reunited on prime time 60 years after Stalin’s terror tore them apart.

They are stars on "Zhdi Menya," or "Wait for Me," one of the most popular TV shows in Russia. With its mission to reunite loved ones, the program probes Russia’s 20th-century history and the scars it left on the lives of ordinary people. It has become a must-watch for Russians still trying to make sense of their tortured past.

The brothers in this episode, Sergei and Pyotr Leontiev, were separated in 1941 when their mother was sent to a prison camp 1,800 miles east of Moscow. She took with her Sergei, then 2 months old, but left behind seven other children whom she never saw again. Meanwhile, Pyotr and his sisters left home, taking jobs at factories in nearby towns.

Since its launch in 1998, "Zhdi Menya" has brought together 30,000 people sundered by Stalin’s purges, war and the collapse of the Soviet Union. That’s earned it a unique, and cherished, place in popular culture.

"We reconstruct the real history of this country," says Igor Kvasha, the program’s host. "Not the garbled version in the text books."

Yet the program is ostensibly unpolitical. A tear-jerking cross between Jerry Springer and the History Channel, it recounts the crimes of communism without apportioning blame. That makes it palatable to Russia’s leaders, for whom Soviet-era might is still a political touchstone.

. . .

(p. A12)   This focus on the victims of the communist regime contrasts with most mainstream media, which these days tend to humanize Soviet-era leaders and gloss over their crimes. A TV drama, "Stalin.Live," has been panned by critics for portraying Stalin as a sympathetic old man.

"There’s a lot of pseudo-historical stuff on TV these days," says Irina Petrovskaya, a television critic. "’Zhdi Menya’ is different because it’s totally authentic. That’s why it’s so popular."

Pyotr Leontiev wrote to the program in 2001 in search of his brother. He had spent years trying to trace him through official channels, but was rebuffed at every turn.

The Leontiev family had been devastated by war and terror. Their father, drafted in 1941, was declared missing in action in 1943. Their mother was arrested on charges of "speculation" — neighbors informed on her for selling a few pounds of tobacco and she was packed off to the Gulag with Sergei, her youngest son, still a babe in arms. His siblings had only his cradle to remember him by.

Researchers at "Zhdi Menya" contacted police in Karaganda, Kazakhstan — the site of the mother’s prison camp — and after trawling archives they found a Sergei Leontiev whose records matched Pyotr’s description. Within weeks they had tracked down Sergei, a retired carpenter. After a childhood in orphanages in Karaganda, he’d spent most of his life, impoverished, in workers’ barracks.

In the studio, Pyotr told his story: "The tragedy that befell our family wasn’t unique." He described how his mother was wrenched from her children, how their last sight of her and baby Sergei was on a prison train bound for the steppes. "We never heard from them again." The children, raised by a 19-year-old sister, were lucky: Children of "enemies of the people" were often separated, their names changed, and sent to orphanages thousands of miles apart.

To the strains of Mozart’s Requiem, Mr. Kvasha spoke to the audience: "It’s hard to imagine how many stories there are like this. They didn’t just take away people’s husbands, wives and parents. They deliberately destroyed archives, concealed people’s names. They took away their memory."

In a heart-rending moment, he led Pyotr Leontiev to his brother, who was sitting weeping in the audience. The two embraced.

Pyotr had mixed feelings about the encounter. The joy of seeing Sergei was clouded by the revelation that his mother had been worked to death in 1943. "It was very hard, a very sad day," says Pyotr.

The two men broke down and looked deeply into each other’s eyes. "We survived," Pyotr said to his brother. "We survived."

 

For the full story, see: 

GUY CHAZAN  "Family Viewing: TV Show Reunites Russian Siblings; Sundered by Stalin, Long-Lost Brothers Embrace on Prime Time."  The Wall Street Journal  (By  March 9, 2007):  A1 & A12.

 

 KvashaIgor.gif   The actor who hosts "Zhdi Menya" ("Wait for Me").  Source of image:  online version of the WSJ article cited above.

 

Castro’s Legacy of “Death, Tears and Blood”

Like thousands of other Cubans, I was arrested in the middle of the night. Fidel Castro’s police raided my parents’ home, stuck a machine gun in my face and took me away. It was 1960 and I was 22 years old.

The news that the Cuban dictator is gravely ill floods my mind with memories of my years spent in captivity. I believe that those of us who were political prisoners know his legacy better than anyone. For 22 years, I was an inmate in his vast prison system, mostly confined to an island gulag, for crimes I did not commit.

. . .

The legacy of Castro for Cuba will be much like that of Stalin in Russia, Pol Pot and Ieng Sari in Cambodia and Hitler in Germany. It will be the memories of the unknown numbers of victims, of concentration camps, torture, murder, exile, families torn apart, death, tears and blood. Castro will go down in history as one of the cruelest of all dictators — a man who tormented his own people.

But his poisonous legacy will also include the double standard by foreign governments, intellectuals and journalists who fought ferociously against the unspeakable violations of human rights by right-wing dictatorships, yet applauded Castro. To this day many of these intellectuals serve as apologists and accomplices in the subjugation of the Cuban people. Rafael Correa, the recently inaugurated president of Ecuador, has declared that in Cuba there is no dictatorship. Evo Morales, president of Bolivia, considers Castro his mentor and has already shown that he is willing to silence his own critics at the point of a gun. Venezuela, once a democracy, is the new Cuba, replete with a growing population of political prisoners.

 

For the full commentary, see: 

ARMANDO VALLADARES.  "Castro’s Gulag." The Wall Street Journal  (Mon., March 5, 2007):  A16.

 

Communists Import Giant Rabbits to End Starvation in North Korea

 

Apparently the North Korean Communist government’s plan to end starvation in North Korea, is to import and breed giant German rabbits.  If they were really serious, they would do better by respecting property rights, and embracing the free market.

 

EBERSWALDE, Germany — Few people raise bigger bunny rabbits than Karl Szmolinsky, who has been producing long-eared whoppers since 1964.  His favorite breed, German gray giants, are the size of a full-grown beagle and so fat they can barely hop.

Last year, after the retired chauffeur entered some of his monsters in an agricultural fair, word of his breeding skills spread to the North Korean Embassy in Berlin.  Diplomats looked past the cute, furry faces with the twitching noses and saw a possible solution to their nation’s endemic food shortage:  an enormous bunny in every Korean pot.

The North Koreans approached Szmolinsky in November and asked whether he’d advise them on how to start a rabbit breeding program to help "feed the population," the 67-year-old pensioner recalled in an interview at his home in Eberswalde, an eastern German town a few miles from the Polish border.  Sympathetic to the Koreans’ plight, he agreed to sell some of his best stock at a steep discount and volunteered to travel to the hermetic nation as a consultant.

. . .

In December, Szmolinsky stuffed six of his rabbits into modified dog carriers and took them to the airport in Berlin, where they boarded a flight for Pyongyang, via Frankfurt, Germany, and Beijing.  Robert, a 23-pounder, was the largest of the bunch, which included four female rabbits and one other male carefully selected for their breeding potential.

How, exactly, the Democratic People’s Republic of Korea intends to parlay the small herd of German Flopsies into hunger relief for its 23 million citizens is unclear.

 

For the full story, see: 

Craig Whitlock.  "A Colossal Leap of Faith In Fight Against Famine North Koreans See Potential in German Breeder’s Giants."  The Washington Post  (Friday, February 2, 2007):  A10.

(Note:  ellipsis added.)

 

 RabbitGiantGerman.jpg   A giant German rabbit.  Source of photo:  http://www.spiegel.de/img/0,1020,774187,00.jpg

 

At Screen Actors Guild, Communists Threatened to Disfigure His Face

ReaganAnAmericanStoryBK.jpg   Source of book image: http://www.shopaim.org/assets/images/large/458i.jpg

 

There are better books on Reagan.  But Bosch’s book has a few illuminating anecdotes.  Here is one:

(p. 63)  Reagan first learned about Communists and their intentions as a member of a Hollywood union, the Screen Actors Guild (SAG).  He had been introduced to the Screen actors Guild by his wife Jane Wyman and had quickly risen to become a member of the Guild’s board.  As a SAG Board member, and later as its president, he mediated a dispute between two rival unions.  One of the unions, the Conference of Studio Unions (CSU), was led by a suspected Communist, Herb Sorrell.

. . .  

(p. 64)  Sorrell and Reagan went head to head.  When Reagan crossed a picket line outside Warner Brothers, Sorrell called for a boycott of his movies.  Reagan was called a fascist.  An anonymous phone caller threatened to disfigure his face so he could never act again.  He began to carry a gun and accepted police protection.  He became an informant for the FBI 

"These were eye-opening years for me," he later wrote.  "Now I knew form first-hand experience how Communists used lies, deceit, violence, or any other tactic that suited them to advance the cause of Soviet expansionism."

 

Source: 

Bosch, Adriana.  Reagan: An American Story.  TV Books Inc., 1998.